The Cinema of Soviet Kazakhstan 19251991: An Uneasy Legacy

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Description

This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon. The authors analysis places leading directorsShaken Aimanov, Abdulla Karsakbaev, Sultan-Akhmet Khodzhikov, Mazhit Begalinin their sociopolitical and cultural context.

Reviews

Peter Rollbergs history of Kazakh cinema, covering the period from its emergence in the 1920s to the countrys independence the 1990s, is not only the first comprehensive account of film art in Soviet Kazakhstan, but also a truly monumental and detailed survey of the stories on and behind the silver screen, the studios relationship with the center, and the appeal of various narratives to the audiences at home and across the Soviet land. Rollberg pays attention not only to the well-known names and films, but also to lesser-known topics such as childrens and youth films, professional training, and the peculiar role of Alma-Ata during WWII, when the countrys major studios and filmmakers were evacuated there. This book will make a fabulous companion and reference guide to Soviet Kazakh cinema.

-- Birgit Beumers, Aberystwyth University, editor, Studies in Russian and Soviet Cinema

This comprehensive and original work is certainly the most important study on Kazakh cinema in the English language. Drawing on deep personal interest and utilizing a sociopolitical lens, Rollberg examines themes of national identity and memory, aesthetics and artistic creation, and the role of viewers in shaping the history of Kazakh film. Rollberg masterfully explicates Kazakhstans complicated relationship with Moscow, highlights Central Asias unique contributions to film history, and re-affirms Shaken Aimanov as the hero of Kazakh cinema.

-- Michael Rouland, Georgetown University

Peter Rollberg's book fills a double gap. To his meticulous analysis of a filmography that is too-little known, he adds an enlightening look at the singular relationships maintained by this republic, a strategic bridge between Russia and Central Asia, throughout the history of the USSR. By observing the development of the seventh art in a concrete peripheral republic, this book enriches our knowledge of the relationship between center and periphery and allows us to better understand how national identities were forged within the Soviet ideological system.

-- Jean Radvanyi, professor emeritus, National Institute for Oriental Languages and Civilizations

Author Bio

Peter Rollberg is professor of Slavic Languages, film studies, and international affairs at George Washington University.