October: The Story of the Russian Revolution

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In February of 1917 Russia was a backward, autocratic monarchy, mired in an unpopular war; by October, after not one but two revolutions, it had become the worlds first workers state, straining to be at the vanguard of global revolution. How did this unimaginable transformation take place In a panoramic sweep, stretching from St Petersburg and Moscow to the remotest villages of a sprawling empire, Miville uncovers the catastrophes, intrigues and inspirations of 1917, in all their passion, drama and strangeness. Intervening in long-standing historical debates, but told with the reader new to the topic especially in mind, here is a breathtaking story of humanity at its greatest and most desperate; of a turning point for civilisation that still resonates loudly today. China Miville tells the extraordinary story of this pivotal moment in history.

Reviews

Miville is an ideal guide through this complex historical moment, giving agency to obscure and better-known participants alike, and depicting the revolution as both a tragically lost opportunity and an ongoing source of inspiration. * Publishers Weekly ( Starred Review) *
When one of the most marvellously original writers in the world takes on one of the most explosive events in history, the result can only be incendiary -- Barbara Ehrenreich
To give a new generation of readers a fresh account of the great revolution, incorporating all the post-1989 archival discoveries and scholarly research, is a singularly daunting task. To render it in vivid, oracular prose, moving across the pages with the gathering force of a hurricane, is something that only China Miville could achieve. -- Mike Davis
This gripping account is a re-enactment of the Russian Revolution... His writing can be as passionate as that of the poets of the time: Alexander Blok, Mikhail Kuzmin, Marina Tsvetaeva, to mention some of those quoted here. Miville's own special effects are of a piece with them. * Financial Times *
Elegantly constructed and unexpectedly moving -- Sheila Fitzpatrick * London Review of Books *
Miville presents the action with his novelists eye An intriguing march to revolution, told here with clarity and insight. * Kirkus *
There are delightful grace notes here over and above a brisk and perceptive narrative. -- Stuart Kelly * Scotsman *
Cinematic and vivid * Newsweek *
Readers will be satisfied that October gives them the literary equivalent of bearing witness to world history. * Booklist *
Best Summer Books of 2017 * Publishers Weekly *
An exciting account of the revolutionary moment... well-argued and elegiac * Spectator *
[An] engaging retelling of the events that rocked the foundations of the twentieth century. * Village Voice *
In October, Miville provides an introduction to one of the seminal events of the 20th century the overthrow of the Romanov dynasty and the establishment of the worlds first communist state 100 years ago this year It has all the makings of a novel, and Mivilles narrative builds toward its crescendo as the Bolsheviks prepare to take power. * Boston Globe *
Miville's understanding of the intricacies and underlying absurdities of party politics is unmatchedA rich and compelling book. * Dallas Morning News *
This is a very fine book in some ways, I believe, the best work that China Miville has produced since the three thick volumes of the Bas-Lag trilogy. Indeed, October bears, in certain respects, a deeper affinity to those novels than to anything else he has published since; and it thus provides a convenient opportunity to take stock of the Miville oeuvre to date...That [October] is an excellent work of art there is no doubt whatever. -- Carl Freedman * Los Angeles Review of Books *
Miville, known for his extravagantly weird science fiction and fantasy, is a virtuosic storyteller; here he conjures a society convulsing on the verge of total transformation while staying squarely within the lines of the historical record. Reading this blow-by-blow account of revolution now, when political life is stranger than any fiction, is galvanizing. -- Roger White * Artsy *
There are workers, there are peasants, there are soldiers, there are parties, there are tsars, there are courtiers. Each of them bears his or her class position, his or her economic and other concerns, but it is the political field itself, how it hurls its protagonists into combat, combat with its own rules and norms, its own criteria for success and failure, that is front and center here. This may be the most textured, most concrete, account of what political contest and political combat, literal and metaphoric, feels like. -- Corey Robin, author of The Reactionary Mind: Conservatism from Edmund Burke to Sarah Palin
Octobers dramatic narrative makes the case that the effort is still worth it that we must dare to dream, even if we risk conjuring more nightmares in this darkening world. -- Alci Rengifo * London Review of Books *
There is interest in reading the story of 'that violent and incomparable year' told by one who hopes against hope that it could happen again. -- Rob Doyle * Irish Times *
Even though you know the ending, this is a compulsive page-turner that makes the period come alive in rich, colourful detail. Although he is better known for his science fiction, Mivilles eye here fleshes out both the spirit of revolution and the horrors that followed. His feelings are evidently complex, which leads to a narrative that draws out elements often left out of more traditional renderings of the Revolution. * Times Higher Education *
China Mivilles literary retellingmade to feel like a novel, but scrupulously sourced to real eventscaptures the vertigo of 1917s encounter between massive historical forces, plunging us back into the heart of a far-reaching social upheaval, in which time flowed backward and forward even as it marched inexorably forward toward a future that was radically unknown. -- David Sessions * The New Republic *

Author Bio

China Miville is the multi-award-winning author of many works of fiction and non-fiction. His fiction includes The City and the City, Embassytown and This Census-Taker, and has won the Hugo, World Fantasy and Arthur C. Clarke Awards. His non-fiction includes Londons Overthrow and Between Equal Rights. He has written for various publications, including the New York Times, Guardian, and Granta, and is a founding editor of the quarterly Salvage.