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Adult Responses to Popular Music and Intergenerational Relations in Britain, c. 19551975

(Hardback)


Publishing Details

Full Title:

Adult Responses to Popular Music and Intergenerational Relations in Britain, c. 19551975

Contributors:
ISBN:

9781783089000

Series Number:

1

Publisher:

Anthem Press

Imprint:

Anthem Press

Publication Date:

28th February 2019

Country:

United Kingdom

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Dewey:

306.4842094109046

Physical Properties

Physical Format:

Hardback

Number of Pages:

240

Dimensions:

Width 153mm, Height 229mm, Spine 26mm

Weight:

454g

Description

Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955-1975challenges stereotypes concerning a post-war 'generation gap', exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores `encounters' between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods.

Reviews

Adult Responses to Popular Music presents its arguments in three main chapters. The first chapter covers how contemporary generational differences were navigated within nuclear families. Drawing primarily on oral history sources, the chapter argues that, while some parents held negative attitudes towards their childrens interest in contemporary popular music, this negativity was not always expressed as outright hostility. Chapter Two discusses how youth clubs and Christian institutions responded to, and largely accommodated, youth culture and popular music. Chapter Three contends with the decline of variety theatre in the 1950s and 1960s and how youth culture changed the face of contemporary leisure Jacob Bloomfield; Zukunftskolleg/Department of Literature, Art and Media Studies, University of Konstanz, Honorary Research Fellow at the University of Kent

Author Bio

Gillian A. M. Mitchell is lecturer in history at the University of St Andrews, Scotland, UK.

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