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The Human Touch: Our Part in the Creation of a Universe

(, Main)


Publishing Details

Full Title:

The Human Touch: Our Part in the Creation of a Universe

Contributors:

By (Author) Michael Frayn

ISBN:

9780571232178

Publisher:

Faber & Faber

Imprint:

Faber & Faber

Publication Date:

1st November 2006

Edition:

Main

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Cosmology and the universe
Popular science
Popular philosophy

Dewey:

120

Physical Properties

Number of Pages:

512

Dimensions:

Width 159mm, Height 241mm, Spine 40mm

Weight:

775g

Description

Mankind, scientists agree, is a tiny and insignificant anomaly in the impersonal vastness of the universe. But what would that universe be like if we were not here to say something about it Without human beings there would be no words or language. Would there still be numbers, if there were no one to count them Or scientific laws, if there were no words or numbers in which to express them Would the universe even be vast, without the very fact of our tininess and insignificance to give it scale



The paradox is what Michael Frayn calls the 'the world's oldest mystery.' He shows how fleeting our contacts with the world around us are. The world is what we make of it. In which case, though, what are we



Conceptual questions of this nature have been the driving force behind many of Michael Frayn's novels and plays. In the book, with peerless wit and astonishing lucidity, he turns to confront them head-on.

Author Bio

Michael Frayn was born in London in 1933 and began his career as a journalist on the Guardian and the Observer. His novels include Towards the End of the Morning, The Trick of It, A Landing on the Sun and Spies. Headlong was shortlisted for the 1999 Booker Prize, Whitbread Novel Prize and the James Tait Black Memorial Prize for Fiction. His thriteen plays range from Noises Off to Copenhagen, and he has translated a number of works, mostly from Russian. He is married to the biographer and critic Claire Tomalin.

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