Stylistic Manipulation of the Reader in Contemporary Fiction
By (Author) Sandrine Sorlin
Bloomsbury Publishing PLC
Bloomsbury Academic
17th June 2021
United Kingdom
Tertiary Education
Non Fiction
Social and cultural anthropology
808.3
Paperback
264
Width 156mm, Height 234mm
376g
This book focuses on how readers can be manipulated during their experience of reading fictional texts and how they are incited to perceive, process and interpret certain textual patterns. Offering fine-grained stylistic analysis of diverse genres, including crime fiction, short stories, poetry and novels, the book deciphers various linguistic, pragmatic and multimodal techniques. These are skilfully used by authors to achieve specific effects through a subtle manipulation of deixis, metalepsis, dialogue, metaphors, endings, inferences or rhetorical, narratorial and typographical control. Exploring contemporary texts such as The French Lieutenants Woman, The Remains of the Day and We Need to Talk About Kevin, chapters delve into how readers are pragmatically positioned or cognitively (mis)directed as the author guides their attention and influences their judgment. They also show how readers responses can, conversely, bring about a certain form of manipulation as readers challenge the positions the texts invite them to occupy.
An innovative and insightful volume about manipulation in literary texts. * Cercles Book Review *
This is a wide-ranging and fascinating collection of essays on how texts manipulate readers and how readers manipulate texts as well as a real demonstration of the breadth and depth of contemporary stylistic inquiry. * Sam Browse, Senior Lecturer in English Language, Sheffield Hallam University, UK *
Sandrine Sorlin is Professor of English Language and Linguistics at University Paul Valry of Montpellier 3, France.