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Authors, Users, and Pirates: Copyright Law and Subjectivity

(Paperback)


Publishing Details

Full Title:

Authors, Users, and Pirates: Copyright Law and Subjectivity

Contributors:

By (Author) James Meese

ISBN:

9780262549653

Publisher:

MIT Press Ltd

Imprint:

MIT Press

Publication Date:

31st October 2023

Country:

United States

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Science funding and policy
Scientific research
Impact of science and technology on society

Dewey:

346.0482

Physical Properties

Physical Format:

Paperback

Number of Pages:

240

Dimensions:

Width 152mm, Height 229mm

Weight:

369g

Description

An examination of subjectivity in copyright law, analyzing authors, users, and pirates through a relational framework. An examination of subjectivity in copyright law, analyzing authors, users, and pirates through a relational framework. In current debates over copyright law, the author, the user, and the pirate are almost always invoked. Some in the creative industries call for more legal protection for authors; activists and academics promote user rights and user-generated content; and online pirates openly challenge the strict enforcement of copyright law. In this book, James Meese offers a new way to think about these three central subjects of copyright law, proposing a relational framework that encompasses all three. Meese views authors, users, and pirates as interconnected subjects, analyzing them as a relational triad. He argues that addressing the relationships among the three subjects will shed light on how the key conceptual underpinnings of copyright law are justified in practice. Meese presents a series of historical and contemporary examples, from nineteenth-century cases of book abridgement to recent controversies over the reuse of Instagram photos. He not only considers the author, user, and pirate in terms of copyright law, but also explores the experiential element of subjectivity-how people understand and construct their own subjectivity in relation to these three subject positions. Meese maps the emergence of the author, user, and pirate over the first two centuries of copyright's existence; describes how regulation and technological limitations turned people from creators to consumers; considers relational authorship; explores practices in sampling, music licensing, and contemporary art; examines provisions in copyright law for user-generated content; and reimagines the pirate as an innovator.

Author Bio

James Meese is a Lecturer in the School of Communication at the University of Technology Sydney.

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