Buttermilk Graffiti: A Chef's Journey to Discover America's New Melting-Pot Cuisine
By (Author) Edward Lee
Artisan
Artisan Division of Workman Publishing
1st June 2018
United States
General
Non Fiction
641.5973
Hardback
320
Winner, 2019 James Beard Award for Best Book of the Year in Writing
Finalist, 2019 IACP Award, Literary Food Writing
Named a Best Food Book of the Year by the Boston Globe, Smithsonian, BookRiot, and more
Semifinalist, Goodreads Choice Awards
Thoughtful, well researched, and truly moving. Shines a light on what it means to cook and eat American food, in all its infinitely nuanced and ever-evolving glory.
Anthony Bourdain
American food is the story of mash-ups. Immigrants arrive, cultures collide, and out of the push-pull come exciting new dishes and flavors. But for Edward Lee, who, like Anthony Bourdain or Gabrielle Hamilton, is as much a writer as he is a chef, that first surprising bite is just the beginning. What about the people behind the food What about the traditions, the innovations, the memories
A natural-born storyteller, Lee decided to hit the road and spent two years uncovering fascinating narratives from every corner of the country. Theres a Cambodian couple in Lowell, Massachusetts, and their efforts to re-create the flavors of their lost country. A Uyghur caf in New Yorks Brighton Beach serves a noodle soup that seems so very familiar and yet so very exoticone unexpected ingredient opens a window onto an entirely unique culture. A beignet from Caf du Monde in New Orleans, as potent as Prousts madeleine, inspires a narrative that tunnels through time, back to the first Creole cooks, then forward to a Korean rice-flour hoedduck and a beignet dusted with matcha.
Sixteen adventures, sixteen vibrant new chapters in the great evolving story of American cuisine. And forty recipes, created by Lee, that bring these new dishes into our own kitchens.
Striking stories. . . . Lee is a master.
New York Times Book Review
Beautifully written.
NPR
Lee is a gifted storyteller and those first few chapters will grab you and keep you riveted all the way to the end.
Bon Apptit
Capture[s] what the nations melting pot cuisine is today.
Food Wine, Staff Favorite
Part adventure tale, part memoir. . . . Dont hit the beach without this remarkable book in your bag.
Fine Cooking
Conjure[s] writers as diverse and compelling as Alexis de Tocqueville, M.F.K. Fisher and Anthony Bourdain. . . . Powerful, poignant, and timely.
Atlanta Journal-Constitution
Lee peels open the layers of what it means to be American today. . . . [Buttermilk Graffiti] contains a level of awareness thats often missing from chef memoirs. . . . Lee is just as well-read and reflective as master of the genre Anthony Bourdain, but he brings a fresh take.
Eater
Raw, gritty. . . . Each chapter in Buttermilk Graffiti presents a new adventure.
Richmond Times-Dispatch
Lee is consistently willing to dive into unfamiliar places and challenging conversations to get stories that havent yet been told, and the reader emerges from Buttermilk Graffiti richer for his efforts. . . . Buttermilk Graffiti represents exactly the kind of inquiry that helps create a vibrant national food scene. Its not a flavor-of-the-week Nutella lasagna recipe turned hashtag, and its not a reality food competition. The book is one hyper-curious chef, on the road, meeting people in places that havent already been covered to death and discovering what they eat and what makes it special. Based on the stories that Lee tells, the journey was valuable unto itselfand were just fortunate to get to tag along with him.
Christian Science Monitor
A tapestry of American cuisine. . . . Lees elevation of the often anonymous people behind the food we eat speaks to his concern with not just style, but substance.
Los Angeles Times
Like all great food writers, [Lee is] always on the verge of declaring the thing he is currently chewing on to be among the greatest things hes ever eaten. He will eat two West Virginia slaw dogs before 8 a.m. and stay up all night on your porch drinking whiskey. . . . Hes so amiable that as you read the book, you can easily imagine that hes a friend.
TheWall Street Journal
A great romp of a read with humor, poignancy, andfor people who love fooda page turner.
Edible DC
Altogether eye-popping. . . . Buttermilk Graffiti is a timely and important work that reminds readers that Americas melting pot is alive and well in the most unexpected places. And, that we all belong.
New York Journal of Books
Excellent. . . . Lee celebrates unexpected confluences of cuisines while refusing to be limited by definitions of authenticity.
Publishers Weekly, starred review
An acclaimed chef and restaurateur travels across the country to explore the cultural history behind the evolving American cuisine. Lee . . . points out the essential role that both immigrants and longtime settlers play in the food we eat. . . . A heartfelt and forward-thinking book.
Kirkus Reviews
At a time when Americas melting-pot culture frightens so many citizens, Lee finds hope and joy in visiting ethnic communities all across the nations breadth.
Booklist
Part adventure tale, part food treatise, part memoir,Buttermilk Graffitiis all Edward Lee: wide-eyed, profane, hungry for life, ever soulful, and poetic. In prose thats as gorgeous and honest as his cooking, Lee takes us on an irresistible journey into the amazing diversity of flavors and traditions that truly makes this country great. An essential American story.
Chang-rae Lee, winner of the PEN/Hemingway Award and Pulitzer Prize finalist
Restlessly curious, unafraid, and empathetic, Edward Lee reports and writes like a narrative journalist with a side interest in squash schnitzel and pickle juice gravy. You wont read a smarter book about American food culture this year.
John T. Edge, author of The Potlikker Papers: A Food History of the Modern South
With the release ofButtermilk Graffiti, Edward Lee proves himself to be one of our countrys great chroniclers of culture. Going all the way back to de Tocqueville, the most informative and impactful writing has examined class, society, culture, assimilation, and food. Lee now joins that long list of food/culture warriors, deciphering our modern world through what we can learn from its food and inspiring us to look at what we eat, where it comes from, who is cooking it, and why. In todays political and social climate, this book is as timely as it is important.
Andrew Zimmern, chef, teacher, author, and host ofBizarre Foods with Andrew Zimmern
Buttermilk Graffiti is a masterfully narrated passion tour of some of this countrys most revelatory places to eat and the people behind them, written in Edward Lees socially conscious style. It left me enlightened and hungry.
Toni Tipton-Martin, author of The Jemima Code: Two Centuries of African American Cookbooks
Edward Lee is the author of Smoke & Pickles; chef/owner of 610 Magnolia, MilkWood, and Whiskey Dry in Louisville, Kentucky; and culinary director of Succotash in National Harbor, Maryland, and Penn Quarter, Washington, DC. He appears frequently in print and on television, including earning an Emmy nomination for his role in the Emmy Awardwinning series The Mind of a Chef. Most recently, he wrote and hosted the feature documentary Fermented. He lives in Louisville and Washington, DC, and you can find him on Instagram and Twitter @chefedwardlee.