Old Man's Garden: The History and Lore of Southern Alberta Wildflowers

(Paperback, New edition)

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Description

Originally published in 1954, Annora Browns Old Mans Garden is a Canadian classic that tells the story of Southern Albertas native plants and wildflowers through art and in consideration of Indigenous traditional knowledge from the region.

Accompanying the new RMB edition of Old Mans Garden, Sidney Black of Fort Macleod, the Indigenous Anglican Bishop for Treaty 7, provides his own commentary about Annoras art and writing in relation to the Blackfoot, while independent art curator Mary-Beth Laviolette broadens the story about the artists contribution to Canadian art.

Also included in this new edition are full-colour images of Annoras later paintings of Blackfoot lodges (tipis) and regalia, the dramatic landscape of the Oldman RIver region such as Waterton National Park, and her abiding, lifelong regard for the flora of her homeland.

According to Annora Brown, Old Mans Garden is a book of gossip about the flowers of the West. A one-of-a-kind work featuring 169 black-and-white drawings of flowers and native plants, this classic text is about more than botany. Throughout its pages there is a sparkle to her stories of early exploration and settlement, her concern for conservation, and her regard for the Blackfoot Nation.

Author Bio

Annora Brown (1889-1987) was one of Alberta's foremost early artists. She was formally trained at the Ontario College of Art in the 1920s, where the Group of Seven and Robert H. Holmes, one of Ontario's foremost wildflower artists, instructed her. Her artistic practice spanned the 1930s to the mid-1980s. Despite the isolation of living in the frontier town of Fort Macleod for most of her life, Brown made a living as an artist through teaching (including at Mount Royal College, the University of Alberta, and the Banff School of Fine Arts), illustrating books and magazines, and selling her brightly coloured paintings in watercolour, tempera, and oil, and later, serigraph prints. Her work is represented in private collections and various public venues such as the Alberta Foundation for the Arts, the Whyte Museum of the Canadian Rockies, and Calgary's Glenbow Museum.