David Bellamy's Arctic Light: An Artist's Journey in a Frozen Wilderness

(Hardback)

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This book is the culmination of various expeditions made by well-known artist and bestselling author David Bellamy to his beloved Arctic. His descriptions of his travels, written from an artists point of view, vividly bring to life the challenges he faced when painting outdoors in one of the harshest environments on the planet, and make for an exhilarating and captivating read. Filled with Davids watercolour paintings and sketches, made during his various expeditions, the book provides a fascinating insight into the wildlife and people that live within the Arctic Circle and captures perfectly the majesty and breathtaking beauty of the worlds final wilderness.

Reviews

This book is an absolute delight, to browse through, to absorb the superb and evocative images, sketches and watercolours that took me straight back to my own Arctic wanderings, to adorn your coffee table or to read for inspiration or a good laugh.

* Sir Chris Bonington, renowned British mountaineer. *

This is a magnificent book. David Bellamys art beautifully captures the sheer splendour and majesty of this great wilderness, its wildlife and people. And his narrative is at the same time informative and funny he goes to great lengths to paint in this unforgiving landscape, watching out for polar bears, sketching while sledging at speed across rock-hard pack ice, or hanging precariously off inch-wide ice ledges, paintbrush (often frozen) in hand. David is an inspiration and this book is inspirational I cannot recommend it highly enough.

* Ranulph Fiennes *

I first encountered David Bellamy almost by accident. The husband of a friend of my wifes was a freelance designer and happened to remark that I ought to see the book he was working on, which was The Wild Places of Britain. It was amazing. I followed it up with the publisher, struck a deal and sold an awful lot of copies. I said of it then that David visits hidden and out-of-the-way places and brings back their atmosphere, people and stories.

Since then, there have been many more books, mostly instructional, and the work he does for exhibition has only occasionally been seen in print.

The Arctic is one of the worlds last great wildernesses and getting to it imposes a huge number of difficulties. Simply existing there is also a challenge and carries very real dangers. Imagine, then, trying to paint in freezing winds, snow and ice when your body and materials are as unwilling to co-operate as they can be. David has a reputation for painting on the edge and has been shown hanging off ropes on desolate crags before. This, however, is a whole different ballgame.

If this was just a tale of endurance, it would have little to recommend it. Sure, learning that gin is a great antifreeze (for your painting water) is all part of the fun that David manages to make this seem, but if the art wasnt up to scratch, the book would be meaningless.

Its therefore a pleasure to report that David is at the peak of his powers. The conditions that make the Arctic a challenge to visit also make photography difficult and painting captures the landscapes better than the camera ever can. Few of us will ever make it this far north, and thats as it should be. Wildernesses like this can only be preserved by their remoteness and lack of visitors. The Antarctic is already being endangered by tourism.

The value of the book, therefore, is the tale it tells, in both words and pictures, of a beautiful region that is filled with mystery, unfamiliar creatures, and inhabitants who live on the edge and have strange legends. This is both a travellers tale and a love story and David is perhaps the only person alive who can tell it so effectively. His paintings, all exquisitely reproduced, are breath-taking and the words he weaves round them create the nearest impression of actually being there that most of us will, or should, ever achieve.

This is a major contribution to science as well as to art and a magnificent production of which all involved should be proud.

* Artbookreview.net *

Like JMW Turner, the artist whom he admits to being his greatest influence, David Bellamy prefers to his paintings outdoors and in all weathers. That's why you can alsmost feel the biting wind and vicious spindrift squalls in the watercolours in his latest sumptuos offering, in which describes his experiences in the Scandinavian Arctic.

The author who provides our Golden Eagle award winning painting every year, explains his interest in the Arctic came late in life, following a trip to Iceland with his daughter Catherine. He soon found as he explains, that was his favoured medium of watercolour worked superbly well in rendering the subtle nuances and infinite variation of tone and colour in ice subjected to changing light and atmospheric conditions.

As anyone who has been to iceland or the arctic can attest, weather conditions at those lattitudes are every bit as changeable as the Government's plan for Brexit. As the Icelanders are fond of telling you 'If you don't like our weather hang on five minutes and it'll change.'

Bellamy's top Arctic watercolour painting tip Use gin or vodka, with their low freezing points, instead of water. And why the often uncomfortable and long winded method of sketching the first scene, instead of just taking a photograph The author's response '...you see and learn so much more when spending even a few minutes sketching a subject.'

The result is without a doubt the finest collection of paintings of the Arctic I have ever seen. Bellamy's senstive brush-work captures every nuance of mountain, glacier and fjord and leaves the reader with the intense desire to return to these magnificent unspoilt wildernesses.

* Roly Smith - president of the Outdoor Writers' and Photographers' Guild *

Artist David Bellamy transports us into the wild and wonderful lands of the Artic with his photographs, beautifully illustrated sketches and watercolour paintings. David has alweays loved exploring the world's incredible landscapes, wildlife and people, and loves caputing his discoveries through the means of art. During the making of this book he found himself doing his sketches on moving dog sledges, keeping a wary eye out for hungry polar bears, and sometimes it was so cold his paint would freeze up! The perfect combination of storytelling, entertaining anecdotes and imagery, this book is a delightful insigh into David's icy adventures.

* Adventure Travel *
The judges commented: In a market-place seemingly full of 'personal accounts' of some journey or another, this book is singularly different, bringing a fascinating insight into the creative artistic process, and providing a readable, informative account of exploring one of the world's wildest places. * OWPG Awards for Excellence *

David Bellamy often finds himself in all sorts of predicaments when seeking an elusive sketch. Despite tripping over a crodile in Kenya and tumbling down a cliff, nothing seems to stop this 74-year-old from being in the great outdoors. Growing up in the West Wales countryside, he cultivated a love for nature, with a keen fascination for its moods and wild places. Seeing the raw landscapes of Iceland motivated him to venture further north, into the Arctic. After a dog-sledging trip to East Greenland his hunger to explore more paint worthy landscapes drew him back another seven times- backpacking across mountains on foot, sailing up the Svalbard coast in a 49-foot boat and cruising a Zodiac up and 81km fjord. Each visit exposed him to more facets of the Arctics natural charm, such as the moulins at Greenland's ice cap.

His book David Bellamy's Arctic Light includes his most fearful moments, such as when the glacier beneath him broke up while he was sketching a natural ice bridge. While he revels in the atmopshere of the moment when sketching outdoors, the Arctic's subzero temperatures also means that brushes freeze when dipped in water- an artist's worst nightmare. Bellamy's witty solution Add gin to lower the freezing point. In exceptional circumstances he was even rubbed snow over dry watercolour pencil sketches.

To Bellamy, 'the High Arctic can be a hostile and unforgiving place, but it will well reward lovers of truly wild places' Besides preparing for potential severe weather conditions, he encourages travellers to hire a local hunter-guide for any Arctic expedition. 'And take along a little luxury with you to relieve difficult moments, even if it's just a bar of your favourite chocolate'

* Singapore Airlines *

18 October 2017

In depicting the nature, atmosphere and attraction of the Arctic, the artist takes us on a most interesting visit to a land of snow, ice, storms and waste.

But it is much more than this and has its own beauty which impels itself on the mind forever of those lucky enough to experience it.

This is not just an artist's impressions, for behind those, are hints and explanations for any artist or would-be artist, of how he worked for and reached this wonderful display of the land in all its moods.

His delight in experiencing and depicting this land that has so much to offer us comes through in all his work.

This is a delightful book into which, because of a life-long interest in the Arctic I will dip into time and time again.

* Yorkshire Gazette & Herald *

Having had the privilege to venture within the Arctic Circle a few times, I was delighted to read David Bellamys book Arctic Light. In truth, the pleasure was more in looking at the pictures - some stunning and evocative images of those icy climes. I have always struggled to explain how a landscape of white can be so compelling and utterly beautiful. Bellamys paintings show us how; the subtle mix of blues, greys and purples that make up the arctic landscape, full of contrast. It is this clarity of light that we no longer see in most of the world
that meets the eye in a stark and startling way. I can remember sitting outside a wooden cabin in Liverpool Land where Bellamy has done some of his paintings, gazing for hours at the mountains on each side and the glacier valley winding away into the distance. There was no plant or animal life to attract my attention, no bird nor arctic hare, no fox nor polar bear, nothing. Even our Greenland dog was curled up on his favourite stone, sunning himself. Yet it
captivated. In the summer months the splashes of colour of the flowers and musk ox show a very differen

Author Bio

David Bellamy has always been fascinated by the world's wild places. Highly regarded as a teacher of art, he has a tremendous following among leisure painters, many of whom have attended his extremely popular courses and workshops both in the UK and overseas. He gives demonstrations and talks, produces successful DVDs, has written many books on watercolour painting and is a regular contributor to art magazines. David lives in Builth Wells, Wales.