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Bioaesthetics: Making Sense of Life in Science and the Arts

(Paperback)

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Publishing Details

Full Title:

Bioaesthetics: Making Sense of Life in Science and the Arts

Contributors:
ISBN:

9781517900755

Publisher:

University of Minnesota Press

Imprint:

University of Minnesota Press

Publication Date:

1st December 2017

Country:

United States

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Philosophy: aesthetics
Impact of science and technology on society

Dewey:

701.05

Physical Properties

Physical Format:

Paperback

Number of Pages:

304

Dimensions:

Width 140mm, Height 216mm, Spine 38mm

Description

Carsten Strathausen's exploration of bioaesthetics is the first comprehensive account of its ideas, as well as a timely critique of its limitations. He familiarizes readers with the basics of bioaesthetics, grounding them in its philosophical underpinnings while articulating its key components and highlighting the longstanding problem of the "two cultures" that separate the arts and the sciences.

Reviews

"If youve ever wondered how weve gotten to the point where virtually every cultural theory field now boasts a bio- or neuro- subfield, Carsten Strathausens Bioaesthetics is an excellent guide. Setting the stage with scrupulous readings of historical controversies, Strathausen then incisively critiques the reductionist biologism he finds in literary Darwinism, biopoetics, neuroaestethics, and so on, before judiciously tackling Deleuze and affect theory. A powerful and insightful study, Bioaesthetics rewards the reader with clarifying and careful mappings of important contemporary concepts."John Protevi, author of Life, War, Earth: Deleuze and the Sciences

Author Bio

Carsten Strathausen is professor of German and English and Catherine Paine Middlebush Chair in Humanities at the University of Missouri. He is editor of A Leftist Ontology: Beyond Relativism and Identity Politics (Minnesota, 2009) and author of The Look of Things: Poetry and Vision around 1900, as well as translator of Under Suspicion: A Phenomenology of Media by Boris Groys.

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