Agency and Imagination in the Films of David Lynch: Philosophical Perspectives
By (Author) James D. Reid
By (author) Candace R. Craig
Bloomsbury Publishing PLC
Lexington Books
13th December 2019
United States
Professional and Scholarly
Non Fiction
Media studies
791.430233092
Hardback
280
Width 162mm, Height 228mm, Spine 27mm
603g
Agency and Imagination in the Films of David Lynch: Philosophical Perspectives offers a sustained philosophical interpretation of the filmmakers work in light of classic and contemporary discussions of human agency and the complex relations between our capacity to act and our ability to imagine. With the help of the pathological characters that so often leave their unforgettable mark on Lynchs films, this book reveals several important ways in which human beings fail to achieve fuller embodiments of agency or seek substitute satisfactions in spaces of fantasy. In keeping with Lynchs penchant for unconventional narrative techniques, James D. Reid and Candace R. Craig explore the possibility, scope, and limits of the very idea of agency itself and what it might be like to renounce concepts of agency altogether in the interpretation and depiction of human life. In a series of interlocking readings of eight feature-length films and Twin Peaks: The Return that combine suggestive philosophical analysis with close attention to cinematic detail, Reid and Craig make a convincing case for the importance of David Lynchs work in the philosophical examination of agency, the vagaries of the human imagination, and the relevance of film for the philosophy of human action. Scholars of film studies and philosophy will find this book particularly useful.
Focusing on questions of agency, its moving parts and scope, its power and limits, James D. Reid and Candace R. Craig search Lynch's wild corpus for "edification and insight into the human condition and the problems endemic to the task of trying to live well." Luckily for readers, they provide it as well. Following their crisp prose through eight films and Twin Peaks, one is rewarded with a rich and varied feel for Lynch, film in general, and the innumerable pitfalls, plummets, and occasional glories that await those who not only wish to live but to flourish.
James D. Reid is professor of philosophy at Metropolitan State University of Denver. Candace R. Craig teaches English at Pikes Peak Community College.