Available Formats
The Ethics of Visuality: Levinas and the Contemporary Gaze
By (Author) Hagi Kenaan
Bloomsbury Publishing PLC
I.B. Tauris
30th May 2013
United Kingdom
Tertiary Education
Non Fiction
Ethics and moral philosophy
111.85
Paperback
176
Width 138mm, Height 216mm
239g
Our world is saturated with images. Overwhelmed by this proliferation of visual stimuli, our gaze becomes increasingly bored and distracted. Do we ever really read and engage with images Can they ever provide the sense of meaningfulness we crave French-Jewish philosopher Emmanuel Levinas confronted and subverted these questions. A superficial reading of his works might indicate an ambivalence if not a wholesale critique of the visual, whose mode of signification remains, for him, objectified, finite and flat. Yet an enigmatic statement - 'Ethics is an optics' - recurred throughout his work. Hagi Kenaan takes this mysterious idea as the starting point for a strikingly original philosophical argument on the place of visuality in Levinas' ethics. The Ethics of Visuality analyses Levinas' philosophy of the human face in order to show how his vision of 'Otherness'(alterity and transcendence) can open up for us a new and surprising kind of optics that is so needed for an ethical living in the contemporary world. Where other critical approaches have largely undermined Levinas' ambivalence towards the visual, The Ethics of Visuality uncovers the relevance of Levinas' bias against the visual to developing a radical philosophy/theory of visual meaning in which the aesthetic is always already intertwined with the ethical.
An excellent book. The questions it asks are most acute and they renew the analysis of the question of the Face in Levinas's philosophy, which is quite an achievement. Dr Hagi Kenaan is not content with explaining the main lines of Levinas's thought on the Face, he proposes a fine phenomenological approach of what it means "to see" in general and what it means to see a Face in particular, while giving concrete examples which is a very good pedagogical approach too. His knowledge of the different phenomenological philosophers is excellent and he refers to them in a most appropriate way. His analysis of the act of speaking (dibour) and of its subtle and necessary link to the Face, is also very well done. I also want to underline Dr Hagi Kenaan's qualities of explanations and rational deductions in his book. This is a fine and clever book. Professor Catherine Chalier, Professor of Philosophy, University of Paris X- Nanterre Kenaan's brilliant study reveals what Levinas' 'ethical turn' has to teach us about the ethical potential of the visual. His study offers nothing less than a guide for restoring us to an ethics of vision in our postmodern world. It is an urgent, compelling and, ultimately, hopeful work. Martin Berger, Professor and Chair, History of Art and Visual Culture, University of California at Santa Cruz. The Ethics of Visuality is an extraordinary achievement. The author offers a brilliant meditation not only on Levinas' thought but also through it, engaging and going beyond it, culminating in profound insights. It is a must-read for anyone seriously interested not only in visuality but also in the very condition of what it means to speak with responsibility about appearance. Lewis R. Gordon, Professor of Philosophy, African American Studies and Judaic Studies at the University of Connecticut at Storrs and author of Disciplinary Decadence.
Hagi Kenaan is Professor of Philosophy at Tel Aviv University. He works in the areas of continental philosophy, phenomenology, aesthetics and the philosophy of art. He is the author of The Present Personal: Philosophy and the Hidden Face of Language (Columbia University Press, 2005) and co-editor of Philosophy's Moods: The Affective Grounds of Thinking (Springer 2011).