Theology and the Films of Christopher Nolan: Cinematic Transcendence

(Hardback)

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This work of theological film criticism provides an analysis of filmmaker Christopher Nolans entire filmography, from Following (1998) to Oppenheimer (2023).

Though his films are noticeably lacking in representations of religion or references to God, Nolans postsecular cinema is nevertheless worthy of our theological consideration, as it contains valuable theological and philosophical insights. Indeed, this is the central claim of Theology and the Films of Christopher Nolan: Christopher Nolans films can and should be considered works of cinematic philosophical theologythey are doing theology and philosophy through the medium of film as they explore what it means to be human in relation to the transcendent. This book identifies the deep parallels and resonances between Nolans films and the works of philosopher Paul Ricoeur and theologian St. Augustine. Like Nolans cinema, Theology and the Films of Christopher Nolan is both intellectually stimulating and highly accessible, satisfying the interests of both scholars and popular audiences alike.

Author Bio

Joel Mayward is Assistant Professor of Christian Ministries, Theology and the Arts at George Fox University in Oregon. He is author of five books including The Dardenne Brothers Cinematic Parables: Integrating Theology, Philosophy, and Film (2022) and the forthcoming Theology and the Films of Christopher Nolan (2025). He is also a cultural critic and writes about the intersection of art and religion.