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Abide With Me: The World of Victorian Hymns

(Paperback, Main)


Publishing Details

Full Title:

Abide With Me: The World of Victorian Hymns

Contributors:

By (Author) Ian Bradley

ISBN:

9780571259595

Publisher:

Faber & Faber

Imprint:

Faber & Faber

Publication Date:

18th February 2010

Edition:

Main

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Prayers and liturgical material

Dewey:

264.23094109034

Physical Properties

Physical Format:

Paperback

Number of Pages:

318

Dimensions:

Width 153mm, Height 234mm, Spine 23mm

Weight:

486g

Description

'Abide with me', 'The day thou gavest Lord is ended', 'All things bright and beautiful': a century and more after they were written Victorian hymns like these have an enduring popularity. This book examines the Victorian hymn from a literary, theological and cultural point of view. It traces its contemporary impact and its continuing influence in churches, public popularity, parody and literary references. before, Ian Bradley traces the importance of hymns in Victorian novels, explores the extraordinary political and social ramifications of Victorian hymnody, and assesses the literary and musical importance of the genre. Written in a lively and anecdotal style, this book punctures some of the myths about Victorian hymns, showing that the themes of doubt, humility and political and social radicalism surface just as much as those of triumphalism, imperialism and conservatism. musicians so beloved of Thomas Hardy, to the gospel songs of Dwight Moody and Ira Sankey. He moves easily between the novelist, the theologian and the musician. He introduces the story with a striking analogy: hymns played much the same role in Victorian culture that soap operas do among us today . . . it is a good curtain-raiser for a serious, indeed learned, but never humourless book.' Lord Runcie, Daily Telegraph this book that I could not put it down. Here is invaluable resource material dealing with a period of hymnody which has never before been researched in such depth. In this eminently readable survey, we are left in no doubt as to the merits or otherwise of nineteenth-century hymnody.' Dr Lionel Dakers, formerly Director of the Royal School of Music.

Author Bio

Ian Bradley grew up in the south-east of England and has lived in Scotland for the last twenty four years. Educated at Oxford University, he was for eight years a features writer on The Times. He has also been head of religious broadcasting for BBC Scotland and taught at Aberdeen University. He is currently Reader in Church History and Practical Theology in the School of Divinity at St Andrews University, associate minister of Holy Trinity Church, St Andrews and honorary Church of Scotland chaplain at St Andrews University. He is a frequent broadcaster and contributes regularly to the Guardian, the Tablet, the Church Times and History Today.

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