Amos in Song and Book Culture
By (Author) Joyce Rilett Wood
Bloomsbury Publishing PLC
Continuum International Publishing Group Ltd.
1st April 2002
United Kingdom
Tertiary Education
Non Fiction
Middle Eastern history
Ancient history
224.806
Hardback
260
520g
This study argues that the gist and movement of the prophecy in the book of Amos can be attributed to Amos himself, who composed a coherent cycle of poetry. His dire predictions came after the Fall of Samaria but before the Fall of Jerusalem. Writing a century later, the author of the book preserved but updated Amos' text by fitting it into a developing literary, historical and prophetic tradition. Amos is used as a test case to show that prophecy originated in the performing arts but was later transformed into history and biography. The original prophecy is a song Amos recited at symposia or festivals. The book's interest focuses on the performer and his times.
Joyce Rilett Wood has taught at various universities, most recently at the Atlantic School of Theology, Halifax, Nova Scotia and currently works in Toronto.