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Music and Religious Change among Progressive Jews in London: Being Liberal and Doing Traditional
By (Author) Ruth Illman
Bloomsbury Publishing PLC
Lexington Books
15th September 2018
United States
Professional and Scholarly
Non Fiction
Sacred and religious music
Liberal and Reform Judaism
Social groups: religious groups and communities
Theory of music and musicology
296.46209421
Hardback
182
Width 159mm, Height 232mm, Spine 20mm
445g
This book analyses religion and change in relation to music within the context of contemporary progressive Judaism. It argues that music plays a central role as a driving force for religious change, comprising several elements seen as central to contemporary religiosity in general: participation, embodiment, experience, emotions and creativity. Focusing on the progressive Anglo-Jewish milieu today, the study investigates how responses to these processes of change are negotiated individually and collectively and what role is allotted to music in this context. Building on ethnographic research conducted at Leo Baeck College in London (20142016), it maps how theologically unsystematic life-views take form through everyday musical practices related to institutional religion, identifying three theoretically relevant processes at work: the reflexive turn, the turn within and the turn to tradition.
This carefully researched book is based on the authors longstanding experience. Its innovative exploration of how vernacular religion uses music to link with tradition has implications far beyond the community on which it is focused, particularly in the area of identity construction. Its lively use of narratives makes it a fascinating read. -- June Boyce-Tillman, University of Winchester
The main merit of Ruth Illmans book is that it takes music seriously in the study of religion. She explores music as an instigator and insignia of religious change by carrying out in-depth, ethnographic research into the field of progressive Judaism. By doing this, Illman brings theory and the complexity of the everyday lived religion together in a well-structured book. She shows that musical practices provide a religious language that is border-crossing: merging the intellectual and the emotional, and facilitating interreligious explorations. Music is an intermediary space, oras one of the interviewees saysIn some ways music is the religious experience. -- Martin Hoondert, Tilburg University
An important and innovative exploration of music, change, and tradition in the synagogue practice of progressive Jews in Great Britain. Ruth Illmans engaging scholarship deepens our understanding of the centrality of music in contemporary religious life. -- Jeffrey A. Summit, Tufts University
In Music and Religious Change Among Progressive Jews in London: Being Liberal and Doing Traditional, Ruth Illman investigates three turns in vernacular Judaism that have enabled five persons connected with Londons Leo Baeck College to experience more embodied, emotionally engaging, and distinctively Jewish expressions of faith: a reflexive turn (which addresses the importance of personal religious and spiritual choice), a turn within (which enables an emotional and embodied experience of doing Jewish), and a turn toward tradition (which recovers the use of several practices of Orthodox Judaism within Liberal and Reform Judaism in England.) The key to this commitment to being liberal and doing traditional for all five key narratives in the ethnographic study Illman presents is the role of music as both an instigator and an insignia of religious change within the synagogues in which each correspondent participates. Two practices characteristic of traditional Judaism that are vital to this Jewish sonic space are the inclusion of niggunim (wordless melodies that function as prayer) and nusach (chanting, rather than simply reading texts from Torah and traditional prayers of worship). Illmans contribution to understanding the hunger for authentic practices of faith within Jewish communities in England is appreciated, and her discussion of the role of music in filling that hunger is significant. -- Alan Smith, Florida Southern College
Ruth Illman is docent (associate professor) of comparative religion at bo Akademi University, Finland, and history of religions at Uppsala University, Sweden. She is currently the director of the Donner Institute for Research in Religion and Culture in Turku, Finland.