Producing Palestine: The Creative Production of Palestine Through Contemporary Media

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Description

Palestine has often been defined and constructed in the global imaginary through conflict, resistance, oppression and violence. Its representation is so overridden with conflicting claims and associations that it remains inaccessible, even to Palestinians. Producing Palestine addresses the creative labour of producing Palestine, particularly in technological and media spaces that are defined by their porousness and by their intermediality crossing genres of popular culture and disciplinary boundaries. It offers sixteen cases which collectively conceptualize, engage in, and invite readers to participate in the production of Palestine and its theorization. These cases cover a wide array of spaces of production such as poster art, TikTok, virtual technologies, digital mapping, drone footage, online cooking shows, documentaries, music videos and many more. Producing Palestine contends that representations of Palestine carry a multitude of meanings, that Palestine is continually produced and reproduced, dynamically generating new knowledge production across media, languages, temporalities, geographies and disciplines.

Reviews

This is a highly readable, original, and thought-provoking book. The editors have brought together an impressively wide range of scholars to write relatively short, incisive, and highly readable chapters. * Nadia Yaqub, Professor, University of North Carolina, USA *

Author Bio

Dina Matar is a Professor at the School of Oriental and African Studies (SOAS), University of London, UK. She is the Chair of the SOAS Centre of Palestine Studies. She is Series Editor of the series Political Communication and Media Practices in the Middle East and North Africa, and SOAS Palestine Studies. Helga Tawil-Souri is an Associate Professor in the Department of Media, Culture, and Communication and the Department of Middle Eastern and Islamic Studies at NYU, USA.