The Origins of Music
By (Author) Nils L. Wallin
Edited by Bjrn Merker
Edited by Steven Brown
MIT Press Ltd
Bradford Books
27th July 2001
United States
Adult Education
Non Fiction
Theory of music and musicology
780.1
Paperback
512
Width 178mm, Height 254mm, Spine 30mm
1066g
What biological and cognitive forces have shaped humankind's musical behaviour and the rich global repertoire of musical structures What is music for, and why does every human culture have it What are the universal features of music and musical behaviour across cultures In this book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology -the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself.
"This book provides the foundation for a new understanding of music fuelled by the return to some of the original concerns of musicologists following a hiatus of half a century." - Robert Reigle, Resonance
Nils L. Wallin is Director of the Institute for Biomusicology at Mid Sweden University, stersund. Bj rn Merker is Senior Fellow at the Institute for Biomusicology at Mid Sweden University, stersund. Steven Brown is Fellow at the Institute for Biomusicology at Mid Sweden University, stersund.