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Multitudes: How Crowds Made the Modern World

(Hardback)


Publishing Details

Full Title:

Multitudes: How Crowds Made the Modern World

Contributors:

By (Author) Dan Hancox

ISBN:

9781804294482

Publisher:

Verso Books

Imprint:

Verso Books

Publication Date:

4th February 2025

UK Publication Date:

22nd October 2024

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Political science and theory
Cultural studies

Dewey:

302.33

Physical Properties

Physical Format:

Hardback

Number of Pages:

272

Dimensions:

Width 153mm, Height 234mm

Weight:

350g

Description

Modern history is the history of the crowd. But why are we so frightened of what happens when we come together Philosophers, politicians and psychologist pronounce that they are dangerous and need to be controlled. In contrast, Hancox argues that they are the harbinger of and a force for change, the bringer of joy and conviviality. In the 1870s, following the Paris Commune, Gustave Le Bon was the first to claim that the crowd was a dangerous animal that consumed individuals. Since then his thinking has influenced city building, policing, criminology and politics. From scenes of the Nuremburg Rally to the January 6 insurrection on the Capitol, the contagion of mob violence is palpable. They can be dangerous. But the crowd can also be a place of liberation, passion, collective joy. The politicians are so afraid of what happens that they will do whatever they can to keep us apart. In Multitudes, Dan Hancox celebrates the history of the crowd. The crowd is the human embodiment of democracy. It is a testament to the incredible things that happen when we gather with strangers in pursuit of a common goal - whether that is to throw a rave, or overthrow a dictator. We will see how crowds have the power to change history, and how joining crowds changes us for the better, too.

Author Bio

Dan Hancox is a native Londoner who writes about music, politics, gentrification, social exclusion, protest and the margins of urban life, chiefly for the Guardian, but also the New York Times, Vice, The Fader, Dazed & Confused and XXL.

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