Death Wish (deep Focus): A Novel Approach to Cinema
By (Author) Christopher Sorrentino
Edited by Sean Howe
Soft Skull Press
Soft Skull Press
1st November 2010
United States
General
Non Fiction
791.4372
Paperback
118
Width 123mm, Height 165mm
92g
Deep Focus is a series of film books with a fresh approach. Take the smartest, liveliest writers in contemporary letters and let them loose on the most vital and popular corners of cinema history: midnight movies, the New Hollywood of the sixties and seventies, film noir, screwball comedies, international cult classics, and more. Passionate and idiosyncratic, each volume of Deep Focus is long-form criticism that's relentlessly provocative and entertaining. Christopher Sorrentino's examination of Death Wish is the second entry in the series. The fourth collaboration between director Michael Winner and actor Charles Bronson, Death Wish was the apotheosis of a succession of films hitting screens during the seventies--including Bullitt, Dirty Harry, and Walking Tall--that tacked against a prevailing liberal wind in Hollywood cinema. Exploiting audience fears of a bestial "other" infesting American cities, and explicitly linking law and order with a pastoral ideal of the Old West (and exurban subdivisions), its glib endorsement of vigilantism infuriated liberal critics even as it filled theaters with cheering audiences. Sorrentino examines Death Wish in its various contexts--as movie, as provocation, as social commentary, as political tautology, and as depiction of urban life--and considers its lasting influence on cinema.
Christopher Sorrentino is the author of five books, including Trance, a National Book Award Finalist for fiction, and The Fugitives. His work has appeared in A Public Space, The Baffler, BOMB, BookForum, Conjunctions, Esquire, Fence, Granta, Harper's, Los Angeles Times, McSweeney's, The New York Times, Open City, The Paris Review, Playboy, Tin House, and many other publications. He has been the recipient of fellowships from the Lannan Foundation, the New York Foundation for the Arts, and the Ludwig Vogelstein Foundation, and he was Writer-in-Residence at Fairleigh Dickinson University in 2011. He also has taught at Columbia University, New York University, the New School, and at the Unterberg Poetry Center of the 92nd Street Y.