Working-Class Organisations and Popular Tourism, 18401970

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Description

Examines some of the most important performance in Britain and Northern Ireland from the mid-1980s into the new millennium. In a timely new critical approach, it considers contemporary British theatre in relation to national and supranational identities, concepts such as globalistion and diaspora, New Labour, devolution and European unification. -- .

Reviews

'Barton's study of tourism fills a niche that so far has been little examined' John Lowerson, Sussex University 'This fascinating study - has given us an admirable piece of social history.' E.B. Contemporary Review

Author Bio

Susan Barton is a Research Fellow at de Montfort University.