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Radio Art and Music: Culture, Aesthetics, Politics

(Hardback)

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Publishing Details

Full Title:

Radio Art and Music: Culture, Aesthetics, Politics

Contributors:

By (Author) Jarmila Mildorf
Edited by Pim Verhulst
Contributions by Olivia Cacchione
Contributions by Jade Conlee
Contributions by Angela Ida De Benedictis
Contributions by Paula Eisenstein Baker
Contributions by Aikaterini Giampoura
Contributions by Lucy Jeffery
Contributions by Jeremy Lakoff
Contributions by Emily Lane

ISBN:

9781498599795

Publisher:

Bloomsbury Publishing PLC

Imprint:

Lexington Books

Publication Date:

8th July 2020

UK Publication Date:

8th July 2020

Country:

United States

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

History of music
Music reviews and criticism

Dewey:

781.544

Physical Properties

Physical Format:

Hardback

Number of Pages:

276

Dimensions:

Width 160mm, Height 228mm, Spine 26mm

Weight:

599g

Description

This book explores the cultural, aesthetic, and political relevance of music in radio art from its beginnings to present day. Contributors include musicologists, literary studies, and cultural studies scholars and cover radio plays, radio shows, and other programs in North American, English, Spanish, Greek, Italian, and German radio.

Reviews

This book is a first-rate interdisciplinary study mapping a series of key historical intersections between music and radio art. Detailed in its analysis, international in its scope, and rich in its intellectual depth, Radio Art and Music: Culture, Aesthetics, Politics is an outstanding addition to the current renaissance in radio scholarship, and will prove rewarding to scholars of sound studies more broadly--Neil Verma, Northwestern University
This edited volume is an academic goldmine of enlightening analysis of nomenclature which effortlessly connects such disparate topics as drama and music at the BBC during the 1920s, Norman Corwin and Bernard Herrmann for CBS during the Golden age of U.S. Radio, and even the sound art radiophonic compositions of Daphne Oram. The scholarship is brilliant. The writing powerful, illuminating, and thought-provoking. The examination of the historical practice is transnational and transcultural, and features original contribution knowledge from early career researchers and leading professors in their field. This book makes a coherent and lasting contribution to understanding the cultural studies of radio and music in the 20th century.--Tim Crook, Goldsmiths, University of London

Author Bio

Jarmila Mildorf teaches English language and literature at the University of Paderborn.



Pim Verhulst is assistant professor of English literature at the University of Antwerp.

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