The Digital and Its Discontents

(Hardback)

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A groundbreaking critique of the digital world that analyzes its universal technological foundations

Whence that nagging sense that something in the digital is amissthat, as wonderful as our devices are, time spent on smartphones and computers leaves us sour, enervated, alienated The Digital and Its Discontents uniquely explains that worry and points us toward a more satisfying relationship between our digital lives and our nondigital selves, one that requires a radical change in the way we incorporate technology into our lives.

Aden Evens analyzes universal technological principlesin particular, the binary logicto show that they encourage certain ways of thinking while making others more challenging or impossible. What is out of reach for any digital machine is contingency, the ontological principle that refuses every rule. As humans engage ourselves and our world ever more through digital machines, we are losing touch with contingency and so banishing from our lives the accidental and unexpected that fuel our most creative and novel possibilities for living.

Taking cues from philosophy rather than cultural or media theory, Evens argues that the consequences of this erosion of contingency are significant yet often overlooked because the same values that make the digital seem so desirable also make contingency seem unimportantwithout contingency the digital is confined to what has already been thought, and yet the digitals ubiquity has allowed it to disguise this inherent sterility. Responsive only to desires that meet the demands of its narrow logic, the digital requires its users to practice those same ideological dictates, instituting a hegemony of thought and value sustained by the pervasive presence of digital mechanisms. Interweaving technical and philosophical concepts, The Digital and Its Discontents advances a powerful and urgent argument about the digital and its impact on our lives.

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Author Bio

Aden Evens is associate professor of English at Dartmouth College. He is author of Sound Ideas: Music, Machines, and Experience (Minnesota, 2005) and Logic of the Digital.

Alexander R. Galloway is professor of media, culture, and communication at New York University, Steinhardt.