Available Formats
The Monster Theory Reader
By (Author) Jeffrey Andrew Weinstock
University of Minnesota Press
University of Minnesota Press
22nd April 2020
1
United States
General
Non Fiction
Films, cinema
Literature: history and criticism
Popular culture
001.944
Hardback
600
Width 178mm, Height 254mm, Spine 51mm
A collection of scholarship on monsters and their meaningacross genres, disciplines, methodologies, and timefrom foundational texts to the most recent contributions
Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche.
Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per seand including Jeffrey Jerome Cohens foundational essay Monster Theory (Seven Theses), reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future.
Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asmaas well as harder-to-find contributions such as Robin Woods and Masahiro Moristhis is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises.
Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.
"This book, indeed, may bite. The best books often do."PopMatters
"Weinstock's organization is carefully considered, and the overlap between some of the arguments and works cited between essays suggests that the discipline of monster theory has been built on a bedrock of canonical sources, several of whichmost notably Freud's "The Uncanny"are included in the first section of this book."CHOICE
"In the real world, monstrosity is used as a vague catch-all to justify acts of violence and even murder; these essays offer readers a digestible and critical examination of the monstrous as a way to force us to consider the politics behind what we deem monstrous, and how a deeper understanding of what haunts us may lead to a new, previously unimagined, future."Ploughshares
" An entertaining subject for students."Gramarye
Jeffrey Andrew Weinstock is professor of English at Central Michigan University and associate editor for Journal of the Fantastic in the Arts. He is the author or editor of twenty-one books, most recently The Age of Lovecraft (Minnesota, 2016); Goth Music: From Sound to Subculture; Return to Twin Peaks: New Approaches to Materiality,Theory, and Genre on Television, and the award-winning Ashgate Encyclopedia of Literary and Cinematic Monsters.