Memory Is Another Country: Women of the Vietnamese Diaspora

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Description

The act of remembering is a means of bringing the past alive and an imaginative way of dealing with loss. It has been the subject of much recent scholarship and is of particular relevance at a time of widespread transnational migration. This book is a valuable and original contribution to the field of diaspora studies. Based on in-depth oral narratives of forty Vietnamese women, it deals with themes both universal and specific to this diaspora: divergent memories in families, the significance of homeland, the return to Vietnam, cross-cultural relationships, intergenerational tensions, and the issues of silence and unspoken trauma among Vietnamese refugees. It is the first study to apply memory and trauma theories to a substantial base of oral narratives by Vietnamese women in the West. Nguyen argues that understanding of these narratives provides not only an insight into the way Vietnamese women have dealt with loss, but also illuminates the experience of the wider Vietnamese diaspora and other refugees.

Reviews

Nguyen makes a brilliant contribution to the third wave of scholarshipHer focus on women is valuablepathbreaking bookEssential. All levels/libraries. * Choice *
Nathalie Huynh Chau Nguyen's book fills an important gap in current scholarship on South Vietnamese women's experiences during war and in diaspora. . . . The personal stories of the women interviewed are vividly narrated and rich in detail. . . . The stories recounted here are an important part of modern Vietnamese history. History often privileges victors. After the South's defeat in 1975, pro-South Vietnamese women's stories have been rarely heard, and they deserve to be. Nguyen's book fills the void and in so doing enriches the existing scholarship on memory, trauma, and diaspora. * American Historical Review *
The 'living history' that this book represents is a beautifully realized portrait of ordinary women who were forced into extraordinary lives. * Reference & Research Book News *
Similar in style to Jung Chang's enthralling accounts of revolutionary China (Wild Swans: three daughters of China, 1991), this book revisits the final days of the American war through the eyes of Vietnamese women. The stories are deeply personal, compelling, and eloquently retold. * Ohio University Libraries Southeast Asia Collection Blog *
Nguyen's very accessible and engaging work will be of interest to both an academic audience of students and scholars and the broader audience with an interest in women's studies, ethnic studies, refugee studies, and Asian-American studies. * MultiCultural Review *
This is a poignant and beautifully presented work about a community most Australians have lived alongside for decades Reading it should jolt us out of our complacency. * Australian Book Review *
One of the strengths of this collection is that the women all had different experiences that they reacted to differently. Therefore, while loss, devastation and grief can't be escaped as a common theme, the women do not blend into archetypes. The chapters begin with loss, symbolized by the family photographs that were lost or destroyed. The difference in the recollections of two sisters who shared the same traumas is particularly interesting. Other chapters focus on female soldiers, war memories, intermarriage outside the culture, both before and after leaving Viet Nam and the reactions of those who returned to visit as well as those who refused to do so. The 'living history' that this book represents is a beautifully realized portrait of ordinary women who were forced into extraordinary lives. * Book News *
author Nathalie Huynh Chau Nguyen offers compelling first-person accounts by women who fled Vietnam in 1975. * The VVA Veteran *

Author Bio

Nathalie Huynh Chau Nguyen holds an ARC Australian Research Fellowship at the Australian Centre, School of Historical Studies, University of Melbourne. She was shortlisted for the 2007 NSW Premier's Literary Award for Voyage of Hope: Vietnamese Australian Women's Narratives (2005).