Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy

(Hardback)

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This book examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the fit American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus - most frequently, the Venus de Milo - as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the American race by reviving the robust health and moral righteousness of the ancient Greeks. Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody - or to try to embody - the perfect health and beauty of an ancient statue How were women expected to translate this model into flesh What were the political stakes to which this vision of a nation of American Venuses was bound Who was believed to conform to this ideal, and who was excluded from it In taking on these questions, Venus Envy engages physical culture and dress reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on womens health.

Author Bio

Hallie Franks is Associate Professor of Ancient Studies at New York University, USA. She is author of The World Underfoot: Mosaics and Movement in the Greek Symposium (2018) and Hunters, Heroes, Kings (2012).