Shikeith: Notes towards Becoming a Spill
By (Author) Shikeith
Text by Ashon T. Crawley
Aperture
Aperture
1st November 2022
United States
General
Non Fiction
Photography: portraits and self-portraiture
Individual photographers
779.2092
Winner of Art Matters Foundation Grant 2020
Hardback
128
Width 279mm, Height 323mm, Spine 16mm
907g
The first monograph by sculptor, filmmaker, and photographer Shikeith, Notes towards Becoming a Spill brings together a series of striking studio portraits of Black male subjects as they inhabit various states of meditation, prayer, and ecstasy.
Shikeith describes the work as 'leaning into the uncanny,' visualising ritual and the process of excavating Black mens erotic potential, the better to exorcise the intangible presences that haunt their bodies and psyches. The mens faces and bodies glisten with sweat (and tears)the manifestation and evidence of desire. This ecstasy is what critic Antwaun Sargent proclaims as 'an ideal, a warm depiction that insists on concrete possibility for another world.' In this revelatory volume, Shikeith redefines the idea of sacred space and positions a Queer ethic identified by its investment in vulnerability, tenderness, and joy.
Shikeith: Notes towards Becoming a Spill is made possible, in part, thanks to the generous contribution of 7G Foundation.
Shikeith (born in Philadelphia, 1989) lives and works in Pittsburgh. He received a BA from Pennsylvania State University, and an MFA from the Yale School of Art, New Haven, Connecticut. He is recipient of a 2019 Joan Mitchell Foundation Painters & Sculptors Grant, and in 2020, he received an Art Matters Foundation grant and a 202021 Leslie Lohman Artist Fellowship. Ashon T. Crawley is the author of The Lonely Letters (2020) and Blackpentecostal Breath: The Aesthetics of Possibility (2016). He is associate professor of Religious studies and African American and African studies at the University of Virginia, Charlottesville.