Available Formats
Writing Queer Identities in Morocco: Abdellah Taa and Moroccan Committed Literature
By (Author) Tina Dransfeldt Christensen
Bloomsbury Publishing PLC
I.B. Tauris
28th January 2021
United Kingdom
Tertiary Education
Non Fiction
Social groups: religious groups and communities
Literary studies: fiction, novelists and prose writers
Literary studies: postcolonial literature
843.92
Hardback
216
Width 156mm, Height 234mm
481g
This book explores queer identity in Morocco through the work of author and LGBT activist Abdellah Taa, who defied the countrys anti-homosexuality laws by publicly coming out in 2006. Engaging postcolonial, queer and literary theory, Tina Dransfeldt Christensen examines Taas art and activism in the context of the wider debates around sexuality in Morocco. Placing key novels such as Salvation Army and Infidels in dialogue with Moroccan writers including Driss Chrabi and Abdelkebir Khatibi, she shows how Taa draws upon a long tradition of politically committed art in Morocco to subvert traditional notions of heteronormativity. By giving space to silenced or otherwise marginalised voices, she shows how his writings offer a powerful critique of discourses of class, authenticity, culture and nationality in Morocco and North Africa.
Writing Queer Identities in Morocco tackles very significant aspects of Moroccan literature and society. Taas writing is suggestively related to crucial moments and authors since colonial times, such as Chrabi and Khatibi, or to prison testimonies of the Years of Lead. In writing the self as an act of (queer) commitment and questioning any readily established identity categories, Taa becomes one of the key voices, literally and politically, of the future of Morocco, that necessarily has to be queer. -- Gonzalo Fernndez Parrilla, Universidad Autnoma de Madrid, Spain
"Writing Queer Identities in Morocco makes a very timely and important contribution to the field of queer Maghribi studies and North African studies more generally. Whereas Abdellah Taa is often presented as an exceptionally out and self-absorbed Moroccan writer, the strength of Tina Dransfeldt Christensens approach consists in situating his treatment of sexuality in relation to other Morocco writers and LGBTQ organising in Morocco. By recontextualising his individual story within the collective as a key site for the writing of queer identity, this books rich, informative chapters invite us to consider committed literature and autobiographical writing in innovative ways." -- Jarrod Hayes, Monash University, Australia
Tina Dransfeldt Christensen holds an MA in Islamic Studies from University of Copenhagen, Denmark, and a PhD in Cultural Encounters from Roskilde University, Denmark. She is currently an external lecturer at Roskilde University. She has published in peer reviewed journals and collections including Expressions maghrbines, International Journal of Postcolonial Studies, Journal of North African Studies and Islamic Studies Journal.