Art Rebels: Race, Class, and Gender in the Art of Miles Davis and Martin Scorsese
By (Author) Paul Lopes
Princeton University Press
Princeton University Press
20th August 2019
United States
Tertiary Education
Non Fiction
Media studies
Popular culture
Films, cinema
Film history, theory or criticism
Other performing arts
Social discrimination and social justice
Popular music
Gender studies, gender groups
781.650922
Hardback
248
Width 155mm, Height 235mm
How creative freedom, race, class, and gender shaped the rebellion of two visionary artists Postwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the U
"This one is a bit of a curio for jazz followers, many of whom might be drawn to the book via the Miles Davis name on the cover"---Peter Gamble, Jazz Journal
"Art Rebels is a significant achievement. It is careful, considered, reasoned, and eye-opening."---Clayton Childress, Symbolic Interaction
"[T]he defamiliarization of art through these reseeings and retellings makes for a mind-changing and instructive experience." * Choice *
"By examining the ineffable area linking individualism and commercialism, civic and racial consciousness, Lopes contributes a nuanced and timely account of the unlikely mix of 'tradition and the individual talent'."---Adriana-Cecilia Neagu, American British and Canadian Studies
Paul Lopes is associate professor of sociology at Colgate University. He is the author of Demanding Respect: The Evolution of the American Comic Book and The Rise of a Jazz Art World.