The Stained and Bloodied Cloths of Ireland: A Material Culture View of Irish Shame, Oppression, Morality and Repression
By (Author) Professor Catherine Harper
Bloomsbury Publishing PLC
Bloomsbury Visual Arts
13th December 2025
United Kingdom
Professional and Scholarly
Non Fiction
Material culture
Religion and politics
Hardback
272
Width 156mm, Height 234mm
The Stained and Bloodied Cloths of Ireland presents a textiles and material culture view of Irish shame, oppression, morality and repression.
Ireland North and South has sustained significant change in the last 100 years, accelerating at the end of the 20th century with legalization of contraception, divorce, gay marriage, the end of the Troubles in the North, and freedom to choose abortion and reproductive autonomy. In parallel to this, many instances of societal and ecclesiastical abuse, sexual repression, superstition and cruelty, have come to light through a series of scandals including the use of unmarried mothers as unpaid labour in laundries throughout Ireland until the mid-1990s, the deaths of women in hidden childbirth and babies in mishandled miscarriages, the unhealthy entanglement of Church (Catholic and Protestant) and State (Northern and Southern), and the persistent racism seen in the infamous direct provision accommodation for asylum seekers and the intolerance shown to 'visible Irish and immigrant minorities' in the so-called land of a thousand welcomes.
This collection of specially commissioned essays tells the stories of cloth and clothing, textiles and materials that have been actually or symbolically stained by blood or other body fluids in Irelands last 100 years since partial independence from Britain. By focusing on the role of these in the range of events and experiences of shame, oppression, morality and repression that have been instrumental in forming Irish culture, the book lances the boil of Irish social history, celebrating the movement of the island of Ireland into post-Church, post-conflict, post-nostalgia modernity that, while a painful transition, is a vital part of coming to terms with its past and looking to its future.
Catherine Harper is Acting Provost and Pro Vice-Chancellor at The British University in Egypt, Chair Professor of Design at Woxsen University, India, and a researcher in text and textiles. She is Co-Editor-in-Chief of Textile: Cloth & Culture, author of Intersex (2007), and contributing editor of Textiles: Critical and Primary Sources (2012).