(Hardback)

Film and the Arts in Symbiosis is an interesting collection of readable essays written by film scholars and teachers. The essays cover the relationship between film and painting, photography, graphic arts, literature, theater, classical and popular music, radio, television, video art, and the `new media'.

(Paperback)

Robert T. Eberwein uses a hypothesis from psychoanalytic theory to explore the frequently noticed similarity between dreaming and watching a film. His comprehensive study of the relationship between films and dreams explains the film screen as a psychic structure. Originally published in 1984. The Princeton Legacy Library uses the latest print-on

(Hardback)

(Paperback)

When representing the Holocaust, the slightest hint of narrative embellishment strikes contemporary audiences as somehow a violation against those who suffered under the Nazis. This book surveys and discusses the ways in which the Holocaust has been represented in cinema, covering a deep cross-section of both national cinemas and genres.

(Hardback)

When representing the Holocaust, the slightest hint of narrative embellishment strikes contemporary audiences as somehow a violation against those who suffered under the Nazis. This book surveys and discusses the ways in which the Holocaust has been represented in cinema, covering a deep cross-section of both national cinemas and genres.

(Hardback)

Develops a view of the difference between film and video that is not based on media specificity but on media practices.

(Paperback)

(Paperback)

Here at last is an introduction to film theory and its history without the jargon. Noted film scholar V. F. Perkins presents criteria for expanding our understanding and enjoyment of movies. He employ

(Paperback)

Provides a dazzling array of useful tips to get the performances you want from your actors.

(Hardback)

Acclaimed director Weston offers a deeply creative exploration on how to access and stimulate the filmmaker's most precious assets: instincts, imagination, and intuition.

(Paperback)

A collection of 21 interviews with well-known filmmakers, including Michael Cimino and the late Francois Truffaut, on the craft of motion picture directing. Topics include choosing and preparing a screenplay, working with actors and crew, dealing with distributors and advice to young filmmakers.

(Paperback)

Sergei Eisenstein's greatness lies not only in his films, such as Potemkin or Ivan the Terrible, or his contributions to the technique and art of the cinema but also in his contributions as a theoretician and philosopher of the art. This edition includes a new translation of Eisenstein's essay on Orozco. Originally published in 1982. The Princeto

(Hardback)

(Hardback)

(Hardback)

This forward-looking exploration of contemporary American film across the last 40 years identifies and examines the specific movies that changed the film industry and shaped its present and future.

(Hardback)

This book analyzes Hungarian and Romanian cinema employs a film historical overview to merge the study of small national cinemas with film genre theory and cultural theory.

(Hardback)

This encyclopedic reference to the American movie musical identifies and describes the musicals and the artists who made them.

(Hardback)

Explores the ways that music has been used in the cinemas of various understudied countries in Australasia, Africa, Latin America and Europe

(Paperback)

Explores the ways that music has been used in the cinemas of various understudied countries in Australasia, Africa, Latin America and Europe.

(Paperback)

This volume contains three new screenplays (Bedrock, Old World and New, and Falling Angels) by the writer-director of the prize-winning films Nothing But a Man, The Plot against Harry, Vengeance Is Mine, and Pilgrim, Farewell.

(Paperback)

These film scripts are designed to help film students master concepts like three-act structure, conflict, suprise, rising action, and crisis. This volume contains the screenplays for "Nothing but a Man", "The Plot against Harry", "Stone my Heart", and "Pilgrim, Farewell".

(Paperback)

These film scripts are designed to help film students master concepts like three-act structure, conflict, suprise, rising action, and crisis. This volume contains the screenplays for "Losing Emily", "Famous Long Ago", "Mortal Longings", "Act of God", and "Sad but Funny".

(Hardback)

Scorsese's 1988 film The Last Temptation of Christ arguably generated more resistance and conflict upon its release than any film before or since, engendering intense debate and even hatred between religious conservative protesters and liberal progressive defenders of the picture.

(Hardback)