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This book is a single source for questions pertaining to piano performance, wellness, and practice during peoples musical careers and lives in case of an injury. Atanasova provides solutions for those who aspire to build a career in music performance even when their career development is hindered by an injury.

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"A chronicle of changing popular music styles and tastes as exemplified by "one-hit wonders" - focusing on the mainstream, on common musical currency, and on the often maligned"--

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"A chronicle of changing popular music styles and tastes as exemplified by "one-hit wonders" - focusing on the mainstream, on common musical currency, and on the often maligned"--

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The 30 original, reproducible puppet scripts in this collection are designed for the one-person show. Advice and suggestions on all aspects of presenting a puppet show, patterns for puppets, and illustrated instructions for construction accompany the scripts. Grades PreK-3.

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What is opera cinema -- The history of opera cinema -- What makes it opera cinema -- The Opera Virgins Project -- A night at the opera cinema.

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Here for the first time are in-depth profiles of 139 major opera companies from around the globe, representing 35 countries, from Argentina to Yugoslavia, and including little-known information on opera in the People's Republic of China, Israel, Japan, the Republic of South Africa, and Turkey.

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Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to show how, from its very inception and through most

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This reference lists operas released as motion pictures. It covers theatrical feature films on 35mm film, educational films on 16mm film and videorecordings, including the VHS videotape format and optical video laser disc. Citations to reviews are included from over 22 sources.

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Ottenberg synthesizes material from a variety of sources--annals, memoirs, and scholarly sources--and, with them, weaves a coherent narrative of what was performed where, by whom, and what developments took place. the book casts new light on opera in America--its variety, popularity, and appeal to changing audiences throughout the century.

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This companion volume to Opera Mediagraphy: Video Recordings and Motion Pictures (Greenwood, 1993) indexes opera singers on video and film in concert, recital, and non-operatic feature film and includes VHS videotape, optical video laser disc, CD-ROM, and DVD recordings.

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Covers in detail more than 2,900 English-texted works and includes masques, ballad operas, operattas, musical theater, as well as the standard operatic fare.

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Griffel has prepared a valuable guide to German opera that can be used profitably by both scholars and amateur devotees of opera.

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A list, with critical notes, of the best recordings of orchestral music.

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Presenting detailed bibliographic information on all aspects of orchestration, instrumentation, and musical arranging with the broadest possible historical and stylistic palette, this work includes over 1,200 citations.

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By the end of the eighteenth century, the arts had been surveyed by an unprecedented series of major works on literature, music, and painting of which the author or this book provides a rich and comprehensive analysis. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available pre

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This reference work catalogs music for organ and harpsichord written by more than 700 women composers from 40 countries. Compiler Adel Heinrich has expanded the organ and harpsichord repertoire to include choir and instruments accompanying organ and harpsichord.

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Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of interrelationships and linkages, and she treats the expression of organizational character as part of the architectural endeavor.

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Twelve studies by eminent art historian James S. Ackerman.

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After the Mass Ordinary, the Magnificat was the liturgical text most frequently set by Renaissance composers, and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of European music. In the first detailed investigation of this repertory, David Crook focuses on the forty parody or imi

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