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British Film Studios

(Paperback)


Publishing Details

Full Title:

British Film Studios

Contributors:

By (Author) Kiri Bloom Walden

ISBN:

9780747812845

Publisher:

Bloomsbury Publishing PLC

Imprint:

Shire Publications

Publication Date:

10th October 2013

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Nostalgia: general
Film history, theory or criticism
Individual film directors, film-makers

Dewey:

725.80941

Physical Properties

Physical Format:

Paperback

Number of Pages:

112

Dimensions:

Width 142mm, Height 206mm, Spine 8mm

Weight:

280g

Description

A beautifully illustrated introduction to the history of British film-making and the leading studios, such as Ealing, Pinewood, Shepperton and Elstree.

The British film industry was already well established when Hollywood sprang to life in 1911, and has remained at the forefront of film-making ever since; from Cecil Hepworth and Alfred Hitchcock to Ridley Scott and Christopher Nolan, and all the innumerable artistic and technical titans in between, the UK has never been far from the cinematic vanguard. Originally flat theatrical sets on temporary stages (often in gardens!), early British studios could be found everywhere from Glasgow to Brighton, and by the 1920s elaborately lit indoor production stages had developed. Stiff competition from the big five US studios led to seismic upheavals over the coming decades, yet names like Alexander Korda, Carol Reed, David Lean and Richard Attenborough attest to Britains enduring stature. From quintessentially British studios and productions Gainsborough romances, Ealing comedies, Hammer horrors and many more to the British role in blockbusting franchises like James Bond, Star Wars and Harry Potter, Kiri Bloom Walden here tells the century-long story of British film, illustrating it with colourful photographs of actors, directors and production staff at work.

Author Bio

Kiri Bloom Walden has been involved in film production on both sides of the camera and as a freelance writer has written on a wide range of subjects for a variety of magazines and other publications. She currently teaches Film at Oxford University Department for Continuing Education.

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