Reyner Banham Revisited

(Hardback)

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Reyner Banham (192288) was a prolific, iconoclastic critic of modern architecture, cities and mass culture in Britain and the US, and his provocative writings are inescapable in these areas. His 1972 book on Los Angeles was ground-breaking in what it told Californians about their own metropolis, and architects about what cities might be if freed from tradition. Banhams obsession with technology, and his talent for thinking the unthinkable, mean his work still means a lot now, more than thirty years after his death.

This book explores the full breadth of his career and his legacy, dealing not only with the major books, but a wide range of his journalism and media outputs, as well as the singular character of Banham himself.

Reviews

"A truly ambitious task. . . . This book invites readers into the universe of one of the most brilliant and uncategorizable critics of modern architecture, cities, and mass culture." * Domus *
"Williams allows us to excavate Banham's magnificent ambivalence about modernism. To Banham, modernism was not orderly at all, especially by the sixties. But he embraced its perversities with surgical irony. Williams traces Banhams prescient journey step by step. An important addition to Banham studies." -- Norman Klein, author of "The History of Forgetting: Los Angeles and the Erasure of Memory" and "Bleeding Through: Layers of Los Angeles"
"In todays world of technology and consumerism, Reyner Banhams prolific writings are as fresh and relevant as ever. Williams insightfully reveals how this California cowboy from East Anglia reimagined architectural history, way ahead of his time." -- Annmarie Adams, Stevenson Professor, McGill University, author of "Architecture in the Family Way," "Designing Women," and "Medicine by Design"

Author Bio

Richard J. Williams is Professor of Contemporary Visual Cultures at the University of Edinburgh. His most recent books are Why Cities Look the Way They Do (2019), The Architecture of Art History (with Mark Crinson, 2018), and Sex and Buildings (2013).