Why We Build
By (Author) Rowan Moore
Pan Macmillan
Picador
1st July 2013
25th April 2013
United Kingdom
General
Non Fiction
720.1
Winner of CICA Bruno Zevi Book Award 2014 (UK)
Paperback
432
Width 131mm, Height 197mm, Spine 28mm
302g
Buildings are driven by human emotions and desires: hope, power, money, sex, and the idea of home. In Why We Build Rowan Moore explores the making of buildings from conception to inhabitation, and reveals the paradoxical power of architecture: it looks fixed and solid, but is always changing in response to the lives around it. Moving across the globe and through history, through works of folly, beauty, spectacle, and subtlety - the doomed mansion of an Atlanta multimillionaire, the phenomenally successful High Line in New York - Moore gives a provocative and iconoclastic view of what makes architecture, why it matters, and why we find it fascinating. You will never look at a building in the same way again.
A refreshingly humane and lucid book from one of our most intelligent architecture critics Daily Telegraph
Vivid and witty . . . its a book about what happens when other non-architectural matter capital, sex, family life, the caprices of function barges into a discipline that sometimes likes to think of itself as pure Guardian
Architecture critic for the Observer, Rowan Moore, has written a fantastic book which is well worth reading for anyone interested in architecture.
Sir Paul Smith
Moore has a lot to offer those who like verbal flexibility and thought-provoking aphorisms. There is also a sense of mischief . . . if famous architects were a coconut shy, Moore would go home with the giant teddy . . . Elegant and witty, with a sometimes 18th-century sensuality, this is a hard-hitting book with great panache.
Sunday Telegraph
A paean to the way we inhabit, which explains why good architecture changes constantly
Financial Times
Thoughtful and elegantly written, Why We Build will appeal to anyone with an interest in architecture . . . It benefits from a clear style and years of architectural criticism . . . the argument is forceful, but not prescriptive, the satisfying result of prolonged and sensitive observation of both buildings and human nature.
Spectator
Rowan Moore is the architecture critic for the Observer and previously for the Evening Standard. He is also a trained architect, and between 2002 and 2008 was the Director of the Architecture Foundation.