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How Textile Communicates: From Codes to Cosmotechnics

(Paperback)

Available Formats


Publishing Details

Full Title:

How Textile Communicates: From Codes to Cosmotechnics

Contributors:
ISBN:

9781350386945

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Visual Arts

Publication Date:

24th July 2025

Country:

United Kingdom

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Cultural studies: dress and society
Material culture
History of design

Physical Properties

Physical Format:

Paperback

Number of Pages:

222

Dimensions:

Width 156mm, Height 234mm

Description

Textile has been used as a medium of communication since the prehistoric period. Up until the 19th century, civilizations throughout the world manipulated thread and fabric to communicate in a way that would astound many of us now.
Unlike text and images, textile is haptic and three-dimensional. Its meaning is unfixed, constantly shifting as it circulates between different owners and creators. In How Textile Communicates, Ganaele Langlois dissects textiles unique capacity for communication through a range of global case studies, before examining the profound impact of colonialism on textile practice and the appropriation of this medium by capitalist systems.

A thought-provoking contribution to the fields of both fashion and communication studies, Langlois writing challenges readers preconceptions and shines new light on the profound impact of textiles on human communication.

Reviews

A major contribution to intercultural and decolonial studies as it examines how the communicative capacities of textile have been taken for granted across boundaries, borders, disciplines and technologies. * Janis Jefferies, Emeritus Professor of Visual Arts, Goldsmiths, University of London, UK *

Author Bio

Ganaele Langlois is Associate Professor in Communication Studies at York University, Canada, and Associate Director of the Infoscape Centre for the Study of Social Media. Her research focuses on new media theory, software studies and technoculture.

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