Available Formats
The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris
By (Author) Justine De Young
Bloomsbury Publishing PLC
Bloomsbury Visual Arts
4th September 2025
United Kingdom
Tertiary Education
Non Fiction
History of art
Gender studies: women and girls
Paperback
336
Width 189mm, Height 246mm
Using artworks by Berthe Morisot, douard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes. French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Pariss broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources from portraits to modern-life paintings, and from photographs to fashion plates Justine De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle poque Paris. This book considers how feminine types made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. These types of fashionable women cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) were used by men and women alike to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how fashion gave women the power to use and subvert those stereotypes to construct and reinvent their identities.
Justine De Young is Associate Professor and Chairperson, History of Art, at the Fashion Institute of Technology, State University of New York (US). She previously taught art and fashion history at Harvard, Wellesley, Lesley, and Northwestern universities in the US, and contributed to the Impressionism, Fashion & Modernity (The Metropolitan Museum of Art, New York, 2012-13) and James Tissot: Fashion & Faith (Fine Arts Museums of San Francisco, 2019-2020) exhibitions. She is editor of Fashion in European Art (Bloomsbury, 2019) and the founding editor of the Fashion History Timeline website.