James Tenney: Writings and Interviews on Experimental Music
By (Author) Dr. Robert Wannamaker
Edited by Lauren Pratt
Edited by Tashi Wada
Bloomsbury Publishing USA
Bloomsbury Publishing USA
12th June 2025
United States
Professional and Scholarly
Non Fiction
Theory of music and musicology
Electronic music
Music composition
780.92
Hardback
320
Width 152mm, Height 229mm
This volume collects, for the first time, essential interviews and aesthetic writings from throughout James Tenney's five-decade artistic career.
The eminent American-Canadian composer James Tenney (19342006) made groundbreaking contributions to sampling culture, digital sound synthesis, algorithmic composition, minimalism, spectral music, music in non-standard tuning systems, contemporary theories of form and harmony, and the consolidation of an American experimental-music tradition. This book documents both his own work and his involvements with influential figures in mid-century American music, film, art, and technology. The writings are accompanied by photographs, artworks, compositional sketches, archival documents, and previously unpublished scores. Appendices supply, for the first time, exhaustive lists of Tenneys compositions and published writings, as well as performance chronologies that capture his influential contributions to the experimental arts in New York City and elsewhere in the 1960s and 1970s.
Robert Wannamaker is Associate Dean in the School of Music at the California Institute of the Arts, USA. He is the author of The Music of James Tenney, Vols. 1 & 2 (2021) and co-editor of James Tenneys From Scratch: Writings in Music Theory (2015).
Lauren Pratt is the executor of the estate of James Tenney.
Tashi Wada is an independent scholar and composer.