Tchaikovsky and His Contemporaries: A Centennial Symposium
By (Author) Alexandar Mihailovic
Bloomsbury Publishing PLC
Praeger Publishers Inc
30th March 1999
United States
Tertiary Education
Non Fiction
Art music, orchestral and formal music
Biography: arts and entertainment
Ballet
780.92
Hardback
432
Commemorating the centenary of Tchaikovsky's death, these essays reassess the life and work of the composer from a variety of perspectives, ranging from the musicological and biographical to broader ones addressing his place in the development of the arts in Europe and America. As they make clear, there is much about Tchaikovsky's achievement that has been taken for granted, and the essays included in this collection represent as much acts of reevaluation as of celebration. After a broad synthesis of Tchaikovsky's relation to the literature, music and theatre of the 18th and 19th centuries, there are sections devoted to Tchaikovsky and his musical contemporaries; Tchaikovsky's "lost" opera, "The Oprichnik"; Tchaikovsky's mature operatic work; his place in Russian Orthodoxy and nationalism; and contemporary perspectives on his life and works. The volume concludes with discussions on Tchaikovsky scholarship, the place of the composer in American and Russian musical education, and the interpretation and performance of his ballets. It is an important collection for scholars and other researchers involved in Russian music and ballet.
A classic of this kind, this invigorating book will prove to be a useful tool for all those whose field of scholarship is to be found in Russian music and culture in the second half of the nineteenth century.-The Russian Review
"A classic of this kind, this invigorating book will prove to be a useful tool for all those whose field of scholarship is to be found in Russian music and culture in the second half of the nineteenth century."-The Russian Review
ALEXANDAR MIHAILOVIC is Associate Professor of Russian at Hofstra University. An expert on Russian literature, he has written extensively on the subject, including Corporeal Words: Mikhail Bakhtin's Theology of Discourse.