The Ninth: Beethoven and the World in 1824
By (Author) Harvey Sachs
Faber & Faber
Faber & Faber
20th September 2011
4th August 2011
Main
United Kingdom
General
Non Fiction
Art music, orchestral and formal music
784.2184
Paperback
240
Width 250mm, Height 235mm, Spine 30mm
620g
A decade after the French Revolutionary and Napoleonic Wars had given way to an era of retrenchment and repression, 1824 became a watershed year. The premiere of the Ninth Symphony, the death of Lord Byron - who had been aiding the Greeks in their struggle for independence, Delacroix's painting of the Turkish massacre of Greeks at Chios and Pushkin's anti-tyrannical play Boris Godunov all signalled that the desire for freedom was not dead. And all of these works and events were part of the flowering of the High Romantic period.
In The Ninth, eminent music historian and biographer Harvey Sachs employs memoir, anecdote and his vast knowledge of history to explain how the premiere of Beethoven's staggering last symphony was emblematic of its time - a work of art unlike any other - and a magisterial, humanistic statement that remains a challenge down to our own day and for future generations.
"All music lovers should run, not walk, to purchase "The Ninth".""--San Francisco Chronicle"
"An inspiring examination of one of music's supreme masterpieces.""--Pittsburgh Tribune Review"
"Insightful . . . Reading this book, you feel for the composer, trying to bond with others through an astonishing symphony.""--The New York Times"
"Sachs' enthusiasm is infectious, his knowledge impressive.""--USA Today"
"A revelatory ride through a creative time and four symphonic movements.""--The Dallas Morning News"
"Will send readers to their CD players.""--The Washington Post"
Harvey Sachs is a writer and music historian. His many books include standard biographies of Arturo Toscanini and Arthur Rubinstein, Music in Fascist Italy and Virtuoso. He assisted Placido Domingo and Sir Georg Solti with their memoirs and has written for many journals and newspapers including the TLS, the Guardian, the Observer, Gramophone, BBC Music Magazine, the New Yorker, the New York Times and the Wall Street Journal.