In Heaven Everything Is Fine: The Unsolved Life of Peter Ivers and the Lost History of New Wave Theatre

(Paperback)

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In the late 70s and early 80s, Saturday Night Live and National Lampoon were leading a comedy renaissance, while punk and new wave turned the music world on its head. At the nexus was the underground, cable-access show New Wave Theatre, hosted by the visionary Peter Ivers. Pre-MTV, the show forged a groundbreaking union between comedy and punk, placing comedians like John Belushi, Chevy Chase, and Harold Ramis onstage with Black Flag, the Dead Kennedys, and Fear. On the cusp of mainstream recognition, New Wave Theatre came to a sudden end on March 3, 1983 when Ivers was found beaten to death in his downtown Los Angeles loft. The show was forgotten, but Iverss influence on pop culture has lasted. A magnetic creative force, his circle included Doug Kenney, Jello Biafra, David Lynch, Ramis, and Belushi. He was also a fascinating musician: in addition to composing the centerpiece song on the soundtrack of Lynchs cult classic film Eraserhead, Ivers recorded seven albums. Josh Franks research inspired renewed interest in Ivers, and the abandoned murder investigation was reopened. Through his narration and interviews with the LAPD and those close to Ivers, Frank brings this underappreciated and compelling creative figure to life.

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PRAISE FOR THE HARDCOVER The lost life of a groundbreaking musician and artist, murdered on the (possible) cusp of fame . . . Well-stocked with interviews and evidencea respectful, understanding portrait. Kirkus Reviews Peter used to sign off personal notes with the words All good things, and thats what he was. His life was an extraordinary gift and Josh Frank captures Peters grace, talent, and incredible spirit with insight and compassion. The details and impact of his tragic death are offered in awful but compelling counterpoint, and this terrible contradiction continues to deeply affect all of us who knew and loved him, as it should anyone who reads the story of this remarkable man. Harold Ramis, director, writer, and actor A must read for anyone who thinks that the L.A. subculture supported by true creativity and lack of monetary ambition ended in the sixties. Peter Ivers was the figurehead for a movement that burned through underground Los Angeles before the eightiesand his deathextinguished the flame. Josh Frank commits to shining a light on this extraordinary man and his time, delivering an intricate thriller told through the voices of those who were there. Beverly DAngelo, actress Surrounded by crazies, Peter Ivers faced the growing pains of a musical and social upheaval with a smile and aplomb. In Heaven Everything Is Fine is a transparent view into that world. Josh Franks interviews remind us of how many people we change a little while we are here. Spit Stix, former drummer for Fear Frank intersperses newly documented interviews to write an engrossing account. Overdue and highly recommended, this work assays a crucial era of popular culture history. Library Journal

Author Bio

Josh Frank is a writer, producer, director, and composer. He has penned numerous plays (including an authorized adaptation of Werner Hergozs Stroszek) screenplays (including an adaptation of Mark Vonneguts The Eden Express) and musicals (including The Jonathan Richman Musical). He is also the author of Fool The World, the definitive Oral History of the band the Pixies and In Heaven Everything Is Fine: The Lost History of Peter Ivers and New Wave Theater.