Mad Skills: MIDI and Music Technology in the XXth Century

(Paperback)

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Invented in the 1980s, the Musical Instrument Digital Interface, aka MIDI, allowed professional musicians to add electronic instruments into the mix of records for the first time. This started a wave of new electronic instrument developments - most famously the synthesizer and sampler.

Part rigorous history, part insightful commentary, and part memoir, Mad Skills tells the story behind MIDI, through the twentieth centurys kaleidoscopic lens.

Guiding us across one hundred years of musical instruments, and the music made with them, it recounts the technical and creative innovations that led to the making of the most vital, long-standing, ubiquitous, and yet invisible music technology of our time.

Reviews

Most people have no idea what MIDI is, even though it undergirds and regulates a substantial swathe of the sounds they listen to and love. In Ryan Alexander Diducks deeply researched telling a biography of a technology, with a caustic critical edge MIDI takes on a personality of its own even as it standardizes global music production to a hitherto unimaginable degree. Blending technical knowledge, business history, and cultural polemic,Mad Skillsis a sharp study of a human invention that stamped its post-human character over an entire era of pop. - Simon Reynolds, author ofRetromaniaandEnergy Flash: A Journey Through Rave Music and Dance Culture.

Mad Skillsis a history of electronic music technology, of scraps over standards, and of musics relationship to capital in the twentieth century. Through deep dives into archives, original interviews, and an aptitude for the Marxian archaeology of electronics, Diduck opens the black box of MIDI for all to see and hear. - Benjamin Tausig, Assistant Professor, Ethnomusicology, Stony Brook University.

... a deep, clear read on the historical and social development of machine music; wisdom about MIDI finally. -Daniel Lopatin, aka Oneohtrix Point Never.

Author Bio

Ryan Alexander Diduck is an author, scholar, lecturer and critic. His writing has appeared inThe Wire,The QuietusandFact Magazine. He lives in Montreal.