|    Login    |    Register

Remediating Sound: Repeatable Culture, YouTube and Music

(Hardback)

Available Formats


Publishing Details

Full Title:

Remediating Sound: Repeatable Culture, YouTube and Music

Contributors:

By (Author) Professor Holly Rogers
Edited by Dr. Joana Freitas
Edited by Joo Francisco Porfrio

ISBN:

9781501387326

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic USA

Publication Date:

5th October 2023

Country:

United States

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Internet and digital media: arts and performance
Digital, video and new media arts
Media studies: internet, digital media and society

Dewey:

781.17

Physical Properties

Physical Format:

Hardback

Number of Pages:

328

Dimensions:

Width 152mm, Height 229mm

Description

Remediating Sound studies the phenomena of remixing, mashup and recomposition: forms of reuse and sampling that have come to characterise much of YouTube's audiovisual content. Through collaborative composition, collage and cover songs to reaction videos and political activism , users from diverse backgrounds have embraced the democratised space of YouTube to open up new and innovative forms of sonic creativity and push the boundaries of audiovisual possibilities. Observing the reciprocal flow of influence that runs between various online platforms, 12 chapters position YouTube as a central hub for the exploration of digital sound, music and the moving image. With special focus on aspects of networked creativity that remain overlooked in contemporary scholarship, including library music, memetic media, artificial intelligence, the sonic arts and music fandom, this volume offers interdisciplinary insight into contemporary audiovisual culture.

Author Bio

Holly Rogers is Reader in Music at Goldsmiths, University of London, UK. She is author of Sounding the Gallery: Video and the Rise of Art-Music (2013) and Twentieth Century Music (2021). She is editor of Music and Sound in Documentary Film (2014), The Music and Sound of Experimental Film (2017), Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics (Bloomsbury, 2019), Cybermedia (Bloomsbury, 2021) and The Cambridge Companion to Music Video (2022). Holly is one of the founding editors of Bloomsburys New Approaches to Sound, Music and Media series and is the founding director of MITs journal, Sonic Scope: New Approaches to Audiovisual Culture. Joana Freitas is a PhD student in Musicology at NOVA University of Lisbon, Portugal, and a researcher at the Centre for the Study of Sociology and Aesthetics of Music on video game music, audiovisual media and cybercommunities. She recently organised the international conference Like, Subscribe, Share: YouTube, Music and Cyberculture in Lisbon (2020). Joo Francisco Porfrio is a PhD student in Musicology at NOVA University of Lisbon, Portugal, and a researcher at the Centre for the Study of Sociology and Aesthetics of Music on domestic soundscapes and music in everyday life. He recently organised the international conference Like, Subscribe, Share: YouTube, Music and Cyberculture in Lisbon (2020).

See all

Other titles by Professor Holly Rogers

See all

Other titles from Bloomsbury Publishing PLC