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The Bloomsbury Handbook of Music Production

(Hardback)

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Publishing Details

Full Title:

The Bloomsbury Handbook of Music Production

Contributors:

By (Author) Professor Simon Zagorski-Thomas
Edited by Professor Andrew Bourbon

ISBN:

9781501334023

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic USA

Publication Date:

6th February 2020

Country:

United States

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Music industry
Theory of music and musicology

Dewey:

781.49

Physical Properties

Physical Format:

Hardback

Number of Pages:

432

Dimensions:

Width 178mm, Height 254mm

Weight:

922g

Description

The Bloomsbury Handbook of Music Production provides a detailed overview of current research on the production of mono and stereo recorded music. The handbook consists of 33 chapters, each written by leaders in the field of music production. Examining the technologies and places of music production as well the broad range of practices organization, recording, desktop production, post-production and distribution this edited collection looks at production as it has developed around the world. In addition, rather than isolating issues such as gender, race and sexuality in separate chapters, these points are threaded throughout the entire text.

Author Bio

Andrew Bourbon is Subject Area Lead of Music Technology at Huddersfield University, UK. He is also a producer, sound engineer, composer and musician and has produced and mixed records for The Waletones, Joe Wander, Lewis Bootle, Grupo Lokito and Alice Auer. Simon Zagorski-Thomas is Professor at the London College of Music, University of West London, UK, as well as a composer, sound engineer and producer. He founded and runs the 21st Century Music Practice Research Network and serves as series editor for the Cambridge Elements series and the Bloomsbury series on 21st Century Music Practice. His books include Musicology of Record Production (2014; winner of the 2015 IASPM Book Prize) and the Art of Record Production: Creative Practice in the Studio, co-edited with Katia Isakoff, Serge Lacasse and Sophie Stvance (2019).

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