Burning Down the House: Talking Heads and the New York Scene That Transformed Rock
By (Author) Jonathan Gould
HarperCollins Publishers Inc
HarperCollins
25th November 2025
22nd July 2025
United States
General
Non Fiction
Popular music
History of music
Composers and songwriters
Musicians, singers, bands and groups
Biography: arts and entertainment
Popular culture
Media, entertainment, information and communication industries
History of the Americas
Social and cultural history
B
Hardback
512
Width 152mm, Height 229mm
674g
"A masterful achievement." Booklist (starred review)
On the 50thanniversary of Talking Heads, acclaimed music biographer Jonathan Gould presents the long-overdue, definitive story of this singular band, capturing the gritty energy of 1970s New York City and showing how a group of art students brought fringe culture to rocks mainstream, forever changing the look and sound of popular music.
Psycho Killer. Take Me to the River. Road to Nowhere. Few musical artists have had the lasting impact and relevance of Talking Heads. One of the foundational bands of New Yorks downtown 1970s music scene, Talking Heads have endured as a musical and cultural force for decades.Their unique brand of transcendent, experimental rock remains a lingering influence on popular musicdespite their having disbanded over thirty years ago.
Now New Yorker contributor Jonathan Gould offers an authoritative, deeply researched account of a band whose sound, fame, and legacy forever connected rock music to the cultural avant-garde. From their art school origins to the enigmatic charisma of David Byrne and the internal tensions that ultimately broke them apart, Gould tells the story of a group that emerged when rock music was still young and went on to redefine the prevailing expectations of how a band could sound, look, and act. At a time when guitar solos, lead-singer swagger, and sweaty stadium tours reigned supreme, Talking Heads were precocious, awkward, quirky, and utterly distinctive when they first appeared on the ragged stages of the East Village.Yet they would soon mature into one of the most accomplished and uncompromising recording and performing acts of their era.
More than just a biography of a band, Gould masterfully captures the singular time and place that incubated and nurtured this original music: downtown New York in the 1970s, that much romanticized, little understood milieu where art, music, and commerce collided in the urban dystopia of Lower Manhattan. What emerges is an expansive portrait of a unique cultural moment and an iconoclastic band that shifted the paradigm of popular music by burning down the house of mainstream rock.
"A masterful achievement." Booklist (starred review) Riveting...In a gripping narrative, Gould traces Talking Heads journey from their hometowns to their art schools, Chrystie Street loft, and eventual global stardom. He sharply analyzes their work and includes rich portraits of individuals, art movements, and music scenes in their orbit. New York Post Like with his now-classic bookCant Buy Me Love: The Beatles, Britain, And America, Gould infuses his writing with an indelible sense of time and place, making the music feel like part of the scenery and vice versa. AV Club "Definitive...Not just for Talking Heads fansits a masterful dive into downtown New York in the 70s, and the changing face of rock music. Town & Country Well-researched and impressive, this is the definitive history of Talking Heads, which will appeal to anyone interested in modern rock. Library Journal(starred review) Music biographer Gould tells the definitive story of the Talking Heads and the gritty New York City scene that birthed them in this overdue account, out just in time for the 50th anniversary of the bands founding. The Millions Gould delivers a colorful and expansive genealogy of the band and the scruffy downtown music scene they helped formdevoted Talking Heads fans will want to pick this up. Publishers Weekly [An] impressive biography. Access to Reddings surviving family members helps Gould flesh out his upbringing and offstage personality. Music historians like Peter Guralnick, Rob Bowman and Robert Gordon have all done essential work on the history of Stax, but Gould takes a contrary and provocative position on the labels relationship to its greatest star. New York Times Book Review on Otis Redding Magisterial With meticulous scholarship, lively prose, and a tale that uses a singular musician as a springboard into interrogating Americas political and popular cultures, Gould has created a vital book that helps contextualize one of the most important figures in pop music. Boston Globe on Otis Redding An absorbing and ambitious book[that] succeeds in making [Redding] seem a good deal more remarkable by taking the measure of the historical circumstances he emerged from. Among the great pleasuresare [Goulds] very considered assessments of each of Otiss albums, track by track. New York Review of Books on Otis Redding "Gould has written a scrupulous, witty and, at times, appropriately skeptical study Gould, it turns out, is an astute and sensitive choreographer... At his best, he lets you hear with keener ears the way a great novelist lets you feel with keener emotions. He even made me want to listen to 'Eleanor Rigby' again. I cant think of higher praise." New York Times Book Review on Can't Buy Me Love
Jonathan Gould is a writer and a former professional musician. A contributing writer for The New Yorker, he is the author of Cant Buy Me Love: The Beatles, Britain, and America and Otis Redding: An Unfinished Life. He currently divides his time between Williamsburg, Brooklyn, and Livingston, NY.