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Kraftwerk's Computer World

(Paperback)


Publishing Details

Full Title:

Kraftwerk's Computer World

Contributors:
ISBN:

9781501378980

Series:
Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic USA

Publication Date:

30th June 2022

Country:

United States

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Musicians, singers, bands and groups
Composers and songwriters
Electronic music

Dewey:

782.421640922

Physical Properties

Physical Format:

Paperback

Number of Pages:

160

Dimensions:

Width 121mm, Height 165mm

Description

Computer World was Kraftwerks most concise and focused conceptual statement, their most influential record and crowning achievement. Computer World transformed the way pop music was composed, played, packaged and released and, in the process, helped create entire new genres of music including hip-hop, techno, trance, electro, industrial and synth-pop. They influenced the influencers. Upon its release on 10 May 1981, the record was a revelation. It was unlike anything created for mainstream consumers of music at that time, an electronic suite of assured and industrious propulsive forward movement. Kraftwerk set off a sonic detonation that is still being felt today. This book explores Kraftwerks revolutionary sonic template, their conceptual and artistic preoccupations and lyrical obsessions to provide new insights into one of the greatest records ever made.

Reviews

Steve Tupai Francis pops the hood on Kraftwerks Computer World and delivers a lovingly exhaustive examination of the road to realizing their perfect sonic vision, the reverberations of which are still felt today Artfully balancing key elements from the bands previous work while shedding light on the various tools that helped create Computer World, (shoutout Speak and Spell!), Francis does an exceptional job of managing an avalanche of information, and keeping it moving and relevant. -- Wayne Jessup * The Owl Mag *
Francis brings clarity to subjects like Bauhaus-influenced design, the Dsseldorf division of IBM, Hazeltine 1500 computers (the monitor that graces the albums cover) and the intricate details of how Kraftwerk's Kling Klang studios came to be. * Spectrum Culture *

Author Bio

Steve Tupai Francis has over 25 years experience in writing in a range of contexts including music, academia and civil society. Steve is obsessed with music, with David Bowie, Kate Bush, Prince, Japan and Kraftwerk taking pride of place in his collection of over 3,000 records.

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