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Maria Callas's Lyric and Coloratura Arias

(Paperback)


Publishing Details

Full Title:

Maria Callas's Lyric and Coloratura Arias

Contributors:

By (Author) Ginger Dellenbaugh

ISBN:

9781501379024

Series:
Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic USA

Publication Date:

13th January 2022

Country:

United States

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Opera
Musicians, singers, bands and groups
Composers and songwriters

Dewey:

782.1092

Physical Properties

Physical Format:

Paperback

Number of Pages:

168

Dimensions:

Width 121mm, Height 165mm

Weight:

162g

Description

More than 40 years after her death, the legend of Maria Callas, La Divina Assoluta, remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callass first recital recordings from 1954, this book envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homers Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum.

Reviews

Even if youve never heard of the 1954 Maria Callas album, even if you neither know nor care about her or opera, this book is entrancing. * Los Angeles Review of Books *

Author Bio

Ginger Dellenbaugh is a music historian who has taught and written about music and politics, the cultural techniques of the human voice, and vernacular notation systems. She lives in New York City and Vienna, Austria.

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