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Sam Cookes Live at the Harlem Square Club, 1963

(Paperback)


Publishing Details

Full Title:

Sam Cookes Live at the Harlem Square Club, 1963

Contributors:

By (Author) Colin Fleming

ISBN:

9781501355547

Series:
Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic USA

Publication Date:

4th November 2021

Country:

United States

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Music
Musicians, singers, bands and groups
Composers and songwriters

Dewey:

782.421644092

Physical Properties

Physical Format:

Paperback

Number of Pages:

144

Dimensions:

Width 121mm, Height 165mm

Weight:

141g

Description

Shelved for over 20 years, Sam Cookes Live at the Harlem Square Club, 1963, stands alongside Otis Reddings Live in Europe and James Browns Live at the Apollo as one of the finest live soul albums ever made. It also reveals a musical, spiritual, emotional, and social journey played out over one night on the stage of a sweaty Miami club, as Cooke made music that encapsulated everything he had ever cut, channeling forces that would soon birth A Change is Gonna Come, the most important soul song ever written. This book covers Cookes days with the Soul Stirrers, the gospel unit that was inventing a strand of soul in the 1950s, and continues on to his string of hit singles as a solo artist that reveal far more about this complex man and the complex music he was always fashioning. A writer and an agent of social change, he absorbed the teachings of Billie Holiday and Bob Dylan while reconciling his own identity and what fans expected of him. Fleming explores how this towering soul artist came to reconcile so many disparate elements on a Florida stage on a winter night in 1963a stage that extended well into the future, beyond Cookes own life, beyond the 1960s, and into a perpetual here-and-now. Live at the Harlem Square Club, 1963 will resonate so long as we all have need to look into ourselves and square our differences and become more human, and more connected with others in our humanity.

Reviews

Flemings ability to think historically, musicologically and even autobiographically allows him to tease out some of the depths of the recording. * Spectrum Culture *

Author Bio

Colin Fleming writes about music, and has written about soul, jazz, and blues for dozens of publications including The Atlantic, The New Yorker, The Guardian, Rolling Stone, Vanity Fair, The Washington Post, MOJO, and DownBeat. He is a regular guest on NPR's Weekend Edition.

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