Dialectics in the Arts: The Rise of Experimentalism in American Music

(Hardback)

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Early in the century, a handful of American composers began creating a new musical culture in the United States. Abandoning the European musical tradition, they protested the marginalization of American-born composers and struggled to displace traditional classical music in America. This movement, known as "experimentalism" peaked during the 1950s and 1960s, when the music of composers like John Cage, Henry Cowell and Charles Ives reached a new wide audience. This ethnographic account of experimentalism addresses the question of what social and political factors produced this avant-garde movement. Although European avant-gardism in music has been well-documented, this is the first comprehensive account of the avant-garde in American music. This study chronicles the musical activities of the major figures and examines the development of a radical discourse among composers. Addressing experimentalism within the context of artistic and national politics, consideration is given to the effect of federal policies on arts support. This work should be of interest to ethnomusicologists and music historians, as well as to sociologists and anthropologists who study culture change.

Reviews

.,."Ethnomusicologists will certainly welcome her treatment of musical change from a cultural perspective."-American Music
...Ethnomusicologists will certainly welcome her treatment of musical change from a cultural perspective.-American Music
Cameron weaves together several histories--musical, arts patronage, social, economic, political--to tell the fascinating story of America's avant-garde in this extremely well-written, thoroughly researched study. The author carefully analyzes the discourse of 34 avant-gardists, whose assertions, particularly those of John Cage, challenge the very basis of Western music aesthetics...In doing so, she offers some useful insights about the nature of musical style and change...Recommended for anyoone interested in the cultural forces impinging on the various paths of 20th-century music.-Choice
..."Ethnomusicologists will certainly welcome her treatment of musical change from a cultural perspective."-American Music
"Cameron weaves together several histories--musical, arts patronage, social, economic, political--to tell the fascinating story of America's avant-garde in this extremely well-written, thoroughly researched study. The author carefully analyzes the discourse of 34 avant-gardists, whose assertions, particularly those of John Cage, challenge the very basis of Western music aesthetics...In doing so, she offers some useful insights about the nature of musical style and change...Recommended for anyoone interested in the cultural forces impinging on the various paths of 20th-century music."-Choice

Author Bio

CATHERINE M. CAMERON is Associate Professor of Anthropology at Cedar Crest College in Allentown, Pennsylvania. In addition to her long-standing interest in Western and non-Western music, she has done research and published articles on tourism, expressive culture, and economic change in the United States and the Caribbean.