Electro-Rap: Afrofuturism and Science Fiction in Early Hip-Hop
By (Author) Adam de Paor-Evans
Bloomsbury Publishing PLC
Bloomsbury Academic USA
8th January 2026
United States
Tertiary Education
Non Fiction
Popular music
Hardback
240
Width 152mm, Height 229mm
The culture of hip-hop shifted dramatically soon after the first wave of studio-recorded vinyl releases at the turn of the 1980s. Drawing upon science fiction, electro, and Afrofuturism, this book presents a sociocultural study of their impact and influence on the formative years of recorded hip-hop.
de Paor-Evans reveals a parallel and occasionally dialectical evolution of hip-hop music spawned from transatlantic, transdisciplinary, and transcultural engagements and unearths linkages between innovations in music technology, fantasy, folklore, arcade and video gaming, non-white diasporas, and transglobal politics of the time.
Historically located between 1982 and 1987, the book takes exemplary well-known and equally obscure records from both sides of the Atlantic. It makes visible the greater significance of formative and future hip-hop culture in other musics and broader society.
Adam de Paor-Evans is Principal Lecturer in Cultural Theory at the University of Central Lancashire, UK. He runs Hip-Hop Hub UK, is a member of the European Hip-Hop Studies Network, and author of the forthcoming monograph British Hip-Hop from the Provincial Perspective.